Directed by:
Sam RaimiScreenplay:
David KoeppCinematography:
Don BurgessComposer:
Danny ElfmanCast:
Tobey Maguire, Willem Dafoe, Kirsten Dunst, James Franco, Cliff Robertson, Rosemary Harris, J.K. Simmons, Joe Manganiello, Bill Nunn, Jack Betts (more)VOD (5)
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Orphaned at an early age, Peter Parker lives in Queens, New York with his beloved Aunt May and Uncle Ben. Peter leads the life of a normal student, working as a photographer at the school paper, pining after the beautiful Mary Jane Watson and hanging out with buddy Harry Osborn. On a school trip, during which Peter and his classmates are given a science demonstration on arachnids, Peter is bitten by a genetically-altered spider. Soon after, he discovers that he has unusual powers: he is endowed with the strength and agility of a spider along with a keen, ESP-like "spider-sense." Peter first uses his powers to make money, but in the face of a tragedy that hits close to home, he vows to dedicate his life to fighting crime, taking to heart the words of his beloved Uncle Ben: "With great power comes great responsibility." Meanwhile, megalomaniacal businessman Norman Osborn, Harry's father, is undergoing some changes of his own. An experimental formula has gone awry, increasing his intelligence and strength but also driving him insane. He is now the Green Goblin, Spider-Man's arch enemy, who will put young Peter Parker's vow to fight crime and help innocent people to the ultimate test. (official distributor synopsis)
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Reviews (8)
Actually, the same thing applies that I wrote about the second film. The first film is a comic book remake with a relatively unique spirit, good actors and a well-written characters. If I take away the sometimes somewhat affected dialogues and given predictability, the first Spider-Man is an excellent fun that makes sense where one expects it to. It has good tricks, decent tension, and a solid (though not captivating) Danny Elfman soundtrack. The second film is dominated by the presence and charisma of William Dafoe in civilian life, but he loses it as soon as he puts on the green mask, which simply removes his civilian demonic aspects. Even the effects are somewhat outdated and the subsequent film is certainly more impressive in terms of visuals. The first Spider-Man is also a bit "non-binding", more pubescent, more playful, and the real dilemma of the super-hero happens in the second part. However, this cannot be considered a negative. I give it an honest 4 stars for being watchable fun.
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I remember how, after the first viewing, I remained in my seat, disappointed. I was expecting a ride full of intricate relationships, grand action scenes, and deep emotions. And what I saw was a simple fairy tale about good and evil, and at the same time, the drama of an individual rejected by society. The second time, I was once again left in my seat – but this time, for the opposite reason. What I was yearning for and missing the first time around was suddenly there. Just more intimate, pleasant, and appropriate. Sam Raimi's approach may have ignored the details of the comic books, but it works more than well. That said, the two installments that followed take things a bit further.
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From today's perspective, Spider-Man's greatest value lies in its sincere reference to the celebrated subject matter. In an era that ushered in the era of "dark" comic book treatments, Spider-Man has no shame in mining the color spectrum to such an extreme that even a fleeing car thief in a car chase knocks over a gumball machine instead of anything else. It's not the only thing that harkens back to the infantile source material. The story itself, the villain, the dialogue (perhaps most of all), and the action scenes are all drawn like a comic book penciler. The film features perhaps all manner of clichés, and indeed the most ancient ones, starting with the main villain's catchphrases and ending with the absolute goodness of Spider-Man. And that's what makes it so much fun. I laughed like a fool at the first fight scene between the Green Goblin and the main character, and I squealed with laughter at the poignant final declaration of love, it's worth it for the perspective. The premise is mega infantile and is practically made for ten-year-old boys, so I have no problem acknowledging this film when, despite all the clichés and kitsch, it winks at the mature viewer that they're kind of there on purpose. And it's still gifted with Kirsten Dunst's nipples.
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This comic book adaptation didn't turn out badly, but it lacks atmosphere and more developed characters. Its major advantage is the casting of Tobey Maguire, who comes across as very natural, elegant, and likable. He is simply an outstanding actor. Overall impression: 60%.
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Tim Burton (Batman) and Bryan Singer (X-Men) had it easier. Their comic-book movies were interesting because of their production design, atmosphere and the related ability to draw us into “other worlds”. Raimi’s Spider-Man has none of that. After it ended, I couldn't remember a single scene that had put me in a state of ecstasy as a viewer. Tobey Maguire portrayed the character’s transformation flawlessly, but Kirsten Dunst is too ordinary for this kind of movie. And the Green Goblin character isn’t a scary villain, but an unfortunate wreck with a bigger problem with his own identity than he has with Spider-Man himself. The film has either a distinctive visual concept nor well-developed characters. What it does have is a predictable story, worthy of a 40-minute episode of a TV series, stretched out to two hours. Spider-Man is filmed elegantly and doesn’t suffer from popcorn silliness. But it’s just an overblown bubble that, when it bursts, dissipates like a puff, leaving nothing behind.
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Gallery (148)
Photo © 2002 Columbia Pictures
![Spider-Man - Photos](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/158/466/158466839_ed4c4b.png)
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