Directed by:
Ryan CooglerCinematography:
Autumn Durald ArkapawComposer:
Ludwig GöranssonCast:
Letitia Wright, Lupita Nyong'o, Winston Duke, Angela Bassett, Danai Gurira, Martin Freeman, Tenoch Huerta, Lake Bell, Michaela Coel, Florence Kasumba (more)VOD (4)
Plots(1)
Queen Ramonda, Shuri, M’Baku, Okoye and the Dora Milaje fight to protect their nation from intervening world powers in the wake of King T’Challa’s death. As the Wakandans strive to embrace their next chapter, the heroes must band together with the help of War Dog Nakia and Everett Ross and forge a new path for the kingdom of Wakanda. (Walt Disney US)
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Reviews (11)
Black Panther: Wakanda Forever is spectacular and colourful – the characters, the production design, the costumes and the excellent arrangements by soundtrack composer Göransson. But it’s also inordinately long, with repetitive dialogue rehashing the same things, a mighty villain with a weak personality, an underwater world that’s not nearly as sophisticated as the one in Aquaman, and the borrowing of ideas from other Marvel movies that don’t fit here (e.g. Iron-Man costumes and flying in them). The first Black Panther was surprising with its distinctive soul and the compelling African mystique of the ethnic roots of a new, superbly functioning superhero movement. This is still a respectable Marvel formula, but altered only for effect.
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A more sweeping and darker sequel. It was similar with Captain America: Winter Soldier, but the more expansive story and the varied motivations of the main characters worked better there, it was tighter and more dynamic as a whole. The second Black Panther has a massive runtime. It wants to say a lot, give lots of emotions and show different worlds and the characters that inhabit them. Sometimes it works sometimes it doesn’t. Most of the time it felt like a mix of Avatar, Aquaman and any random adventure movie set in Africa. It is bearable, but not worth a second visit to the cinema.
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An enchanting and transcendent cinematic experience. Absolutely Beautiful! Marvel is back on top and Ryan Coogler has made the most complex and mature Marvel movie ever. Black Panther sets up a powerfully emotional and sad funeral from the opening, with all of Wakanda mourning in grief and it's very palpable. The plot then shifts a year and a brilliantly written political drama begins to unfold (the Queen's speech at the UN is like something out of an Oscar drama, not to mention the speech in Wakanda, everyone was holding their breath there!). The battle for vibranium begins and the new undersea civilization of Talokan comes into play with a stunningly filmed city, impressive depiction of life there and most importantly a villain who quite possibly is one of the best Marvel has ever created, Namor! Anti-hero, snake god, a symbol with good motivation, great backgrounds (the flashback with the conquistadors is great!), and the insight into Mayan culture was also brilliant. Tenoch Huerta is a strong cast hit and whenever he's on set he rips everything from action, to dialogue to dense drama for himself. I also enjoyed Namor's main fighters, they really commanded respect and that fight on the bridge with Okoye is an action packed treat. I liked the way the film is conceived in a very serious, adult, fateful and emotional way. There’s probably the least humour of all the Marvel films, but given the mood that's a good thing. The music is amazing, with Ludwig Göransson delivering another masterpiece and deserving another Oscar. The song “Con la Brisa” during the Talocan introduction is burned into my heart and I listen to it all day, but every single piece fits like a glove and I had my soundtrack list increased by at least 5 tracks. Best music in cinema this year without a doubt. I also enjoyed the action, even though there isn't much of it, it’s grounded, it's not the typical CGI mess where everything just explodes, but it cuts to the chase beautifully. The invasion of Wakanda is filmed in such a way that it takes your breath away, and the finale on the ship is such an epic carnage that it could be compared to the battle in Avengers. There are interesting themes and ideas running throughout the film, I enjoyed getting a glimpse into African culture again, the politics, drama, action, visuals, music, epicness and emotion all work, this is simply one hell of a mature film that has something from everyone and it all works flawlessly. I got goosebumps several times and even held my breath a few times. The peace and quiet in the cinema was really palpable, everyone was blown away. Audiovisual porn, brutal action, emotional inferno, that's all you need to know. Oh, and Letitia Wright handled it more than well. 9/10.
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I admit that I am giving it the fifth star mainly for how touching it is, and in memory of Chadwick Boseman. Objectively, the second Black Panther is slightly worse than the first, and it's not because T'Challa is missing, but because something is superfluous. The running time seemed to me too generous (read excessive) for what actually happened. Yet a few dozen minutes (and some not so good CGI) less would have made for an excellent action film with a believable political plot and memorable scenes such as the Queen's speech at the UN. Nevertheless, the production design is a feast for the eyes, the music is a feast for the ears, and the new characters certainly have a lot to offer the Marvel Cinematic Universe in the future.
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Black Panther died from COVID and his mum and sister have to look after Wakanda. Coogler presents a sprawling project with many supporting themes in a very terse way. He jumps from scene to scene and the plot rushes instead of flowing. T'Challa's absence is especially noticeable in the moments when the film needs to breathe. The lighthearted jokes and would-be catchphrases of the girls during Iron Heart's introduction, in the context of Bossman's death, feel like a caress against the grain. Everything of course is saved by Namor and his Atlan... Mayas. Tying the new empire to Central America and their rich culture was a very cool idea. Huerta is awesome and I'm really looking forward to his next stint at Marvel. The final scene, where Kukalkan explains that those dickheads will eventually antagonize Wakanda, and then the fun will begin, is very impressive. The sister's scene from beyond the grave is chilling, and the action and the one-to-one fight works quite well. So it's a shame about the inconsistent introduction. The music is a chapter unto itself. Goransonn outdoes himself, the theme of the new Panther is unexpectedly brutal.
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