Squid Game

A crossover of the motifs of Battle Royal and Saw themes, brilliantly transformed into an eight-hour collective trip through hell, all in an appealing colorful form with impressive sets and costumes, well-constructed characters and a sociological examination of their behaviour, imaginative games with more than one clever surprise and a sizable portion of blood and brutality. Dong-hyeok Hwang boldly combines all kinds of pop culture and genre trends in a commercial work for the masses and comes out on top. Episode 6 is an emotional knockout that I really didn’t expect here. The only stumble in the likelihood of the characters’ behavior comes in the final episode. It's also capped off with a slapdash would-be surprising point that contradicts certain previous events. (11/18/2021)

Hollywood is done, Korea dulez!! The combination of Netflix and South Korea is the best thing anyone has ever thought of, and it has once again resulted in an awesome spectacle with all the Korean parameters, traits and attributes, and the same big names have come together to make South Korea a powerful mainstream hit that is shaking up the world. A variation on Battle Royale and Hunger Games along the lines of Japan's Alice in Borderland has never been more entertaining, smart and disturbing. Squid Game follows the die-hard Korean template and has all the elements every fan expects: an original twisted theme, perfectly written and acted characters with strong progression and changes, the requisite dose of action, violence and high body-count, built-up suspense, believable twists, ornate visuals, compelling dialogue, well-conceived melodrama toying with the audience's emotions, and it wouldn't be Korean if there wasn't also people trafficking. Only the Koreans can incorporate so many elements and present it confidently with a raised middle finger, and they do it again with clarity and breathlessness. Episode 6 is probably the strongest for me and the reveal of the White Horse put a smile on my face, I didn't expect it in the least. Excellent Job. I loved the cameo by Gong Yoo and Lee Jeong-jae in the lead, but in a very unconventional role. Story 5/5, Action 4/5, Humor 1/5, Violence 5/5, Fun 5/5 Music 4/5, Visuals 5/5, Atmosphere 4/5, Suspense 5/5, Emotion 4/5, Actors 4/5. 9/10. (09/24/2021)

Excellently written... How to quit gambling easily and fast with the help of kids’ games. In addition to having a great screenplay which grabs you and doesn’t let go, despite the slow opening and superfluous epilog, Squid Game can rely on precise directing and perfectly chosen actors. Hae-soo Park clearly rules the screen. Each game points at a different aspect of what it is to be human, and lots of people won’t like what they see. I sincerely don’t know if we need another season. As it is, it’s great, if you forget about that epilog. So leave it be. (10/11/2021)

At the time I am writing this comment, The Squid Game is historically the most successful show on Netflix and I must say that it doesn't even surprise me. Audiences love violence. The more violence, the more they are interested. Here the violence in some episodes may even exceed acceptability. On the other hand, the series has great characters, with the main one being such a fool that you are curious yourself about what will happen to him. And since from a filmmaking perspective this series is quite successful, you will also encounter great shots, including moments that are literally chilling. All of this, of course, supported by good music. The Squid Game is therefore not only based on a well-filmed story that attracts viewers, but also works with dark, absurd humor that works quite well in the context of the events on the screen. Overall, The Squid Game is a successful affair that fully deserves its attention in today's world. (10/14/2021)

Yeah, a pretty cool Korean take on Battle Royale, Hunger Games, Saw, Cube, and Escape Room that goes out of its way to attempt some relatively adult social insight. But in spite of how serious it wants to look at times, the core of the whole thing is completely banal, and the execution of the action is quite logically haphazard in the details. That is fine with stuff like Escape Room (it's basically identical in concept), which is not trying to be anything other than a fun B-movie, but Squid Game wants to be more like Parasite and I found that quite distracting at times. And the awful line with VIPs is a chapter on its own, terribly cringe. In its strongest moments it’s excellent (the sixth episode in particular is amazing, though actually quite predictable from the beginning), but lame in its weakest. Either way, compared to last year’s Alice in Borderland, it’s light years ahead. (09/23/2021)