Directed by:
Kathryn BigelowScreenplay:
W. Peter IliffCinematography:
Donald PetermanComposer:
Mark IshamCast:
Patrick Swayze, Keanu Reeves, Gary Busey, Lori Petty, John C. McGinley, James Le Gros, Bojesse Christopher, Julian Reyes, Daniel Beer, Vincent Klyn (more)VOD (3)
Plots(1)
Johnny Utah (Reeves) is a Special Agent for the FBI. Utah gets partnered with Angelo Pappas (Gary Busey) an experienced agent who is more than committed to his work. The two are asked to investigate the number of robberies committed by a group called the Ex-Presidents, who wears masks of Presidents Reagen, Nixon, Carter and Johnson for their robberies. Pappas has a theory that the Ex-Presidents are a group of surfers, and asks for Utah to go undercover as a surfer. The problem is, Utah couldn't surf to save his life. That plus the two continuously being hassled by unpleasant and rough Agent Harp (McGinley). With the help of Tyler (Petty) a competent female surfer, Utah begins to gain the respect of local surfer Bodhi (Swayze) and his group. Utah forms a close bond with Bodhi, but the relationship between Utah and Bodhi becomes limited when Utah suspects that Bodhi and his group are the Ex-Presidents. (official distributor synopsis)
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Reviews (8)
Definitely an action classic in its day, but this film hasn't really struck me much nowadays. Keanu Reeves and Patrick Swayze are great, the action is pretty decent, but I wasn't impressed with the surfing thing, I wouldn't mix that into the action genre at all. 65%
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The film features a great Swayze and Reeves, a funny Busey, and mainly amazingly-filmed surfing. It’s all underscored by Isham's ethereal music, interestingly contrasting with the lively action, where even the iconic jump without a parachute pumps gallons of adrenaline into the audience’s veins, making one wonder how Kathryn Bigelow does it. This woman just has to have balls. Half the guys in Hollywood don't make action movies this vibrant.
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Kathryn Bigelow simply has a knack for making films where guys are tough, and you'd want to be like them. Or at least you enjoy watching their fates unfold. Patrick Swayze has incredible charisma here and easily overshadows Keanu Reeves, although Keanu really tries not to just be a sidekick. I was pleased to see Gary Busey in a positive role.
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The film that kick-started Keanu Reeves’ illustrious career. A police thriller that takes place in an attractive surfing environment. The pace speeds up only in the last third, as everything that happens before is about getting to know the characters. Their relationships are well-developed, although today they seem a bit cliché. The last third, however, is surprising with unpredictable twists and its skydiving scenes complement the surfing ones in creating the pleasant poetics of a free lifestyle (which defines the characters of the film). The ending adds a bit of depth, but it was obviously added as an afterthought half a year after the film was originally completed. What is hard to swallow in this film today is Mark Isham’s terrible “action” music (a motif-free mess of percussion), which makes one realize how dramatically Hans Zimmer and his disciples changed the face of Hollywood action-movie music.
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It’s a beautiful movie, what else can I say? It’s simply a beautiful movie. At the beginning you have no idea what to think. Nevertheless, Keanu Reeves immediately puts on the air of a sharp-eyed rookie, and dives into his case. Everything on that coast is moving with a loose pace until there are scenes that I didn’t believe I’d ever see in a movie. The reviewer Enšpígl said it beautifully. There’s plenty of room for the freedom of the human spirit. It’s easy to listen to and even more to experience when you actually dive into the movie. Some scenes stuck in my mind and I might never get them out of my head and I’m already looking forward to watching the movie again. If nothing else, the ending is out of this world. And if anyone says otherwise, they’re just weird...
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Gallery (55)
Photo © 1991 Twentieth Century Fox
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