Cool Hand Luke

God knows why Luke was always causing trouble and liked to seek it out. Probably to prove to himself that he was still alive?! But that's what a lot of the movie is about. The plot was pretty simple, but well fleshed out and it moved quickly for me thanks to Luke's crazy ideas. There was a really big and varied story to fit into the two hour running time, led by the great Paul Newman along with George Kennedy. He was so cool, that Paul "Luke" Newman! And always will be! (07/18/2010)

An extraordinarily impressive drama about the cost of human freedom and dignity, set in the prison environment of the United States in the 1960s. Those mirrored glasses on the guard's eyes will stay in my memory for a long time. One of Paul Newman's pivotal roles. Overall impression: 90%. (01/20/2009)

A film that is just a hair's breadth away from perfection. Paul Newman portrayed this role so incredibly naturally, essentially through minimalist acting. Great overall plot layout, which has a depressive progression, and in the finale, what was inevitable happens. And yet, at the end, I didn't feel like it turned out completely badly. George Kennedy definitely contributed to that feeling as well. (06/16/2015)

Cool Hand Luke is one of the most perfect prototypes of indomitable human spirit ever depicted on the movie screen. While it can't be denied that its formal pace, which was relaxed and clearly reflected the protagonist's state of mind thirty years ago, is now somewhat stretched, that can easily be overlooked when we focus on the absolutely fantastic performance by Paul Newman in the lead role. In his career-defining performance, he delivers charming smiles and mischievous glances with his bright blue eyes, making even the most hardened cynic crack a smile. With the skilled support of George Kennedy in his Oscar-winning role and the entire cast of inmates and prison guards, they created the most endearing gang of criminals. Cool Hand Luke becomes the ultimate cool experience that is simply irresistible when you're in the right mood for it. It’s interesting to note that the word "fuck" is not mentioned even once. (12/25/2005)

A heavy-handedly narrated prison drama with solid atmosphere, Paul Newman's mesmerizing face and a specific feel-good vibe. Good as a precursor to The Shawshank Redemption, but hand on heart, Darabont's opus tells the story of get busy livin' or get busy dyin' more comprehensively and on a whole other level. (12/20/2023)