Directed by:
Paul GreengrassCinematography:
Dariusz WolskiComposer:
James Newton HowardCast:
Tom Hanks, Helena Zengel, Neil Sandilands, Chukwudi Iwuji, Thomas Francis Murphy, Fred Hechinger, Michael Angelo Covino, Ray McKinnon, Mare Winningham (more)VOD (3)
Plots(1)
A Civil War veteran who travels from town to town reading the news undertakes a perilous journey across Texas to deliver an orphaned girl to a new home. (Netflix)
Videos (5)
Reviews (11)
This tranquil western road movie may not have a substantial dramatic plot, but it does have a humanistic heart. Simply Hanks. Its aim is to again show the slightly different corners and characters of the old American West and its code of justice and hardships in a more realistic way than Costner’s The Postman :-). But Greegrasse’s touch isn’t very apparent in it. Did she really direct it? James N. Howard’s return to the genre is nice, but due to the film’s minimalist approach, we can’t fully enjoy it until the closing credits.
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More was probably expected from a Paul Greengrass/Tom Hanks collaboration. For me, it's a an unnecessary and uninteresting film that didn't bring anything new. It's shot well, acted well (Helena Zengel, after System Crasher, proves once again that she is on an excellent path). The stumbling block for me is the story, did Greengrass really have to choose such an uninteresting subject? Watching a traveling journalist in the Wild West is probably the most boring option available. It lacks action, emotion, drive, and tension – everything I like basically. Weak three stars for Hanks. Story***, Action*, Humor>No, Violence>No, Entertainment**, Music***, Visuals***, Atmosphere***, Tension**. 5/10.
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I can imagine this could have been a real western hit, especially with Netflix making it accessible to a wide audience. Unfortunately, it didn’t turn out that way, which is a shame because the names behind this project promised much more! With Paul Greengrass directing and writing, James Newton Howard composing, Dariusz Wolski on cinematography, and Tom Hanks as the lead, it had a strong lineup. It’s surprising that Howard came out the best of the bunch; his soundtrack balanced well between building tension (during shootouts and desert storms) and calm moments, with a nearly melancholic touch. While the film’s beautiful scenery helped, the plot seemed rather sterile. I didn’t feel that the bond between Hanks and the little girl progressed to a higher level during those two hours; True Grit does this much better. It does have its moments (the ending is satisfying), but as a whole, it doesn’t measure up to the best genre pieces. For me, it’s 6.5/10.
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I certainly didn’t expect a slow western about people from Paul Greengrass. The dynamic directing with the shaky camera, so typical for his work, is gone. Hanks’ Captain Kidd spends his time riding from city to city, reading his newspaper to the folks there, taking an orphan girl to her surviving family in Texas that he came across during his travels. There is precisely one action scene in this movie and it works excellently, even though there aren’t many bullets, if you disregard the horse bolting, nothing dramatic happens. But the power of this movie lies in the girl’s final dialog with a friend from school and in the little scenes when the girl sings to herself when grooming the horse. A very unusual western which, while not coming up with anything new, certainly doesn’t offend.
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Paul went out of his comfort zone into the prairie, where life is a circle, and you have to remember that in order to move on. A simple but beautifully constructed story, told with fluid camera strokes, that you've heard a hundred times before, but that the Hanks-Zengel duo will want to hear again and again. The film is a quiet commentary on America's brokenness and the need for kindness and acceptance of difference. It may not have any dizzying depth, but it's certainly Greengrass' most personal, intimate and moving work, and its simple goodness made me believe at times that the world isn't messed up. Hats off and I love it.
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