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Miles Morales returns for the next chapter of the Spider-Verse saga, an adventure that will transport Brooklyn’s full-time, friendly neighborhood Spider-Man across the Multiverse to join forces with Gwen Stacy and a new team of Spider-People to face off with a villain more powerful than anything they have ever encountered. (Sony Pictures)

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Reviews (11)

3DD!3 

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English A buttload of ideas, a celebration of all the artists who gave each of the worlds a special and unique atmosphere. The action scenes are so awesome that you will want to go back to the cinema very soon, to enjoy and study them. However, it is not only the visuals that keep the viewer engaged, the script also deserves praise. Each character is well thought out, has a mini-story and evolves. The wisdom that the Spider-men/women share makes sense and is fun (because Spidy is a funny guy), every viewer will find something here. I, like Peter B. Parker, also had a daughter since the first episode, and did I identify my paternal stereotypes in him? Of course I did! And that’s how well the characters are written. Everyone will find something. It also has its own fatality and an unusual villain who got caught by a donut in the first film and then had a bit of bad luck. From nerdy scientist and third-rate villain to the destruction of the multiverse quickly and easily? Well, maybe not destruction... maybe, because we'll have to wait for the next part. So, to sum up: after the magazine ad, it steps on the gas pedal all the way to the floor and doesn’t slow down until the open ending. ()

D.Moore 

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English Brilliant, brilliant, brilliant animation! The last time there was anything like this was five years ago, really, but more importantly: Brilliant story! An animated film that can leave at least eight live action films featuring Spider-Man biting the dust, that’s something you must see. Every joke, every dialogue, every character, every action scene has its place. At first, I was scared that the movie ran two hours and twenty, but when it was over, I felt it wasn't enough. So I'm looking forward to the third part immensely (as if I wouldn’t after that finale), and given how packed this one is, I've definitely got something to keep me entertained until the premiere. ()

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TheEvilTwin 

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English I was skeptical about this film before the screening, and for a while I doubted whether it could move forward meaningfully in terms of plot from the first part, whether it could still be visually arresting, and whether the humor and characters would be entertaining enough to carry it. But all of that left me after a while, and I'm back to being excited like a little kid and wanting the next part right now because I can't handle waiting another year. Story-wise, the film makes perfect sense, it composes the MCU Spiderverse elements perfectly, it completes the concept of the multiverse, it serves us cameos from the "live-action" Spider-Man, comic book memes of the three Spider-Men, a bunch of fun references and especially the characters. With these, I was worried if they could even hold a candle to Spider-Ham, but here we get not five Spider-Men like in the previous part, but literally hundreds to thousands of versions of him, and Indian Spider-Man, Spider-Horse, a Samurai Spider-Man, and a Spider-Car that had me in stitches with laughter. The best part of it all is that the visuals and comic book style once again bust my balls, bringing a fresh style to the screen and that we once again have plenty of action, with the definite highlight being the fight of a hundred Spider-Men against each other, where I didn't know who to look at first and was squirming in my seat like a prostitute in church. As the film draws to a close, it adds to the hardness, the tension builds and the harder and harder punk-rock-hip hop insert kicks in until the very finale, which.... Well. I guess we'll have to wait for that. It certainly leaves a bit of a bitter aftertaste to the end of a brilliant comic-book pleasure for nerds of the highest level, and is a bit reminiscent of Harry Potter 7.1 or Dune, but at least we have something to look forward to. Awesome!! ()

EvilPhoEniX 

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English The sequel to Spider-Man is a solid and excellent animated film, it's wild, creative, shocking, serious and rightly fatal, and the comparison to Infinity War is spot on. It's just that a few things slightly bothered me and that's why I can't give it a full score. The film has a lot of cool and eye candy stuff that will please any comic book fan. Visually it is a revolutionary spectacle, it’s action packed (I liked the opening fight with Vulture and the final epic chase with 100 spidermen, which is one of the best scenes of the movie and the viewer will want to repeat it again). The soundtrack is also excellent and perfectly fitting – I immediately looked up a few songs. The villain, The Spot, is impressive, but he doesn't get much space in the second, and they have saved him for the final part of the trilogy. The second half is all about Miguel O'Hara, whose character I enjoyed the most. The surprise final unexpected twists are also very shocking and take this whole film to the next level, I liked that. On the other hand, what disappointed me a bit is the big absence of humour, it's all too serious and in some passages could have been spiced up with some wisecracks, as the first half was quite slow paced and on the second viewing I'm afraid it might be a bit boring, but otherwise I'm extremely satisfied with this one. 85% ()

Filmmaniak 

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English This unbelievably rich animated comic-book movie draws from a deliberate sense of detachment, internet memes, pop-culture references, the long history of comic books and the sense of refinement with which its creators approach the frenetic action scenes and work with the characters. Despite its ultra-brisk pace, abundance of gags and wealth of dynamic action, the thrilling audio-visual feast packed with imaginative details maintains, through the story of two young superheroes and their family background, a serious dramatic level highlighting the quiet emotions and slower dialogue passages built on family relationships and the themes of fatefulness, growing up and the struggle against predestination. ()

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