Eurovision Song Contest: The Story of Fire Saga

The central storyline has been used through the copy paper many times, and some plot points, such as the actions and motivations of the main villain, seem completely random and written entirely to anger movie-goers. Still, when you watch the awkward out-of-place characters of Will Ferrell and Rachel McAdams trying to fulfill their dreams, and Pierce Brosnan’s futile attempt at a Nordic accent, the whole outsider-pop thing has to soften your heart to some extent. This movie is an undemanding no-brainer and at the same time an alright easy-to-follow musical fluff, nothing more, nothing less. (02/15/2021)

I love watching Eurovision, so I was quite looking forward to this comedy. After watching it, however, I am a little disappointed. Some of the situations made me laugh, but the wacky humor, sometimes bordering on awkwardness, is too much for my taste. I wish there had been more musical performances, as a few of them were really good. (60%) (06/14/2021)

In its adoration of otherness, Eurovision Song Contest: The Story of Fire Saga is incredibly charming and at times almost subversive; in its soundtrack it is one hundred percent; and yet there is always one misstep for every amazing gag or song. A sculpted Pierce Brosnan recites profound obstructionist wisdom, serious moments last disproportionately long, and the main hero sadly tends to emerge from controversial situations like a blinded selfish person. A few weeks after watching, however, the perfectly cast supporting roles (Dan Stevens, coming across more like Dan Nekonečný) and precisely crafted songs slowly erase most of the cracks and subtly raise the rating. However, I am reserving judgment for the inevitable next viewing. (07/16/2020)

Eurovision Song Contest: The Story of Fire Saga is a feature film about the most famous music competition in the world, and it's basically a very dumb comedy with the typically over-the-top Will Ferrell and the endearingly goofy Rachel McAdams, but it does have some noteworthy scenes and moments that are both casually entertaining and pleasantly surprising. The basic structure of the story couldn’t be any more cliched, but it's spiced up by the Eurovision setting and the beautiful landscape of Iceland. The running time could have been a little shorter and some scenes could have been cut, but I was really glad for the cameos from previous Eurovision winners, the line with the elves and Demi Lovato. Besides that, the film takes a humorous shot at European countries, like the "zero" incidence of the 4%-people in Russia, the hatred of Europeans towards Americans, and the mention of the Eastern Bloc. The musical numbers were good and the audience could actually enjoy Eurovision at least in a sense, since it was cancelled this year. (07/03/2020)

Maybe the reason Eurovision won me over was that we haven’t had a cute, self-aware comedy like this for a long time, or because during the boring moments I would dream about putting an engagement ring on the still beautiful and perfect Rachel McAdams and taking her to the altar. Even though there isn’t as much humour as I would expect from Ferrel, its sincere childish tone is very fitting and Dobkin knows his job so well that a cookie-cutter, generic story like this can still be effective. And the tunes are catchy enough… 70% (06/30/2020)