Directed by:
Florian ZellerCinematography:
Ben SmithardComposer:
Ludovico EinaudiCast:
Anthony Hopkins, Olivia Colman, Olivia Williams, Rufus Sewell, Imogen Poots, Mark Gatiss, Ayesha Dharker, Roman ZellerVOD (3)
Plots(1)
In an Academy Award® winning performance, Anthony Hopkins plays the eponymous role of a mischievous and highly independent man who, as he ages, refuses all assistance from his daughter Anne (Olivia Colman). Yet such help has become essential following Anne's decision to move to Paris with her partner. As Anne's father tries to make sense of his changing circumstances, he begins to doubt his loved ones, his own mind and even the fabric of his reality. (Lionsgate Home Entertainment)
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Reviews (12)
The unbearable lightness of acting. I remember well Hopkins's exclusive interview with Reflex, where he said that "...acting is the easiest profession in the world...". So Sir Anthony cut yet another theatrical role, the likes of which he has portrayed hundreds of in his lifetime on stages, and he still won an Oscar for it, by the way. Yeah, acting is a beautiful profession, if you know how to do it.
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Translating Alzheimer's woes into cinematic language creates a postmodern horror film along the lines of Lynch or Wheatley. I even think it happened unintentionally, which is the scariest thing about it. We're going to hear a lot about acting performances with this film, and why not when Hopkins shoulders such an agonizing role at 83? Still, I'm most impressed by the truth presented about how old age simply can't have a happy ending.
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In a word, suggestive. Suggestive in two ways, and it doesn't just get under the skin, but deep into each of your bones, and not just the big ones. For empathic reasons, a "must see" educational film, as the chances of this happening to you (either directly or within your family) are not small, but it’s also a great cinema experience. As much as it doesn't hide the intimate drama roots, the memento-like view of old age dementia "from the other side" is presented in a purely cinematic manner, with the editing in particular excelling in a way rarely seen. This is also true for all the cast, with Hopkins's performance of a lifetime leading the way. On paper, from an "intimate Oscar-winning film about a daughter's relationship with her demented father at the end of her life" one would expect a bittersweet sentimental film that plays on tear-jerking strings, not a frighteningly intense existential horror.
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Anthony Hopkins is definitely not an old hand yet, as he convinced me with his breathtaking performance in The Father. The film manages to evoke the mental state of a man who is slowly but surely being consumed by a serious illness, robbing him of his memories and overall awareness of himself. At first I found myself actually similarly confused as Anthony, then I found myself sympathizing with both him and the people around him – especially his daughter Anne. It was incredibly sad to see what Alzheimer's disease, which befalls many of us when we live to such an old age, can do to a person. The Father is mainly an acting tour-de-force by Hopkins, but the supporting cast also gave supremely convincing performances, giving rise to an intimate but all the more powerful slice-of-life film. Old age can be peaceful, but it can also be cruel!
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In response to the question “are you afraid of death?”, someone once told me “no, I'm afraid of dying”. This film reminded me of that. Brilliantly written and with a fantastic performance by Hopkins, The Father is a mosaic of the decay of human memory and the loss of awareness of place, time and self. Set in a few rooms with a handful of actors, this is distressing and sad film, as if it had been written by a man who went through it himself and came back. Why watch such a film? To remind ourselves of how good we have it.
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