Directed by:
Anders Thomas JensenScreenplay:
Anders Thomas JensenCinematography:
Kasper TuxenComposer:
Jeppe KaasCast:
Mads Mikkelsen, Nikolaj Lie Kaas, Andrea Heick Gadeberg, Lars Brygmann, Nicolas Bro, Gustav Lindh, Roland Møller, Albert Rudbeck Lindhardt (more)Plots(1)
Anders Thomas Jensen, scriptwriter for filmmakers like Susanne Bier and Kristian Levring, feels at home in many genres, yet his own directorial style sticks out. Just like Adam’s Apples (2005) and Men & Chicken (IFFR 2016) his latest film is a black comedy with a plot only he could come up with. Riders of Justice starts with a series of sad events: a stolen bike, dismissal, a train accident. Coincidence or a causal link? Data analyst Otto (Nikolaj Lie Kaas) examines the matter aided by his eccentric colleague Lennart (Lars Brygmann) and their even stranger friend Emmenthaler (Nicolas Bro). Together with professional soldier Markus (Mads Mikkelsen), who lost his wife in the train wreck, the men develop into angels of wrath. The mission leads to results, though perhaps not the intended ones. Riders of Justice’s bone-dry humour and inimitable logic makes it another absurdist, yet educational and moving highlight in Jensen’s oeuvre. (International Film Festival Rotterdam)
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Reviews (12)
Anders Thomas Jensen delivers one of the best Nordic films in the last ten years, and he has the biggest stars available. Mads Mikkelsen (The Hunt), Nikolaj Lie Kaas (Department Q), Nicolas Bro (Small Town Killers) against Roland Møller (R), that's what I call an awesome cast! The main character's wife dies in a tragic train accident and three friends approach him. They have figured out that it was not an accident and ask him if he wants to seek revenge and confront a dangerous biker gang. The film has a solid revenge story, spiced up with dark and very funny black humor (I laughed a lot), intelligent dialogues, and when it came to action, it was uncompromising, intense, and damn realistic, especially the final home invasion has an awesome atmosphere. Mads Mikkelsen probably has the best role after The Hunt, he plays an elite soldier and exudes respect. The villain is played by Roland Møller, who has already proven himself in the role of a merciless bastard several times, although he deserved even more space here. A very good film, which not only is enjoyable to watch but also leaves a pleasant taste in your mouth after it ends. I would have welcomed more action and more space for the villain, but otherwise, I am very satisfied. Story *****, Action *****, Humor *****, Violence ****, Entertainment *****, Music *****, Visuals *****, Atmosphere *****, Tension *****. 8.5/10.
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Cause and effect. A bloody drama about revenge flips over into a bizarre comedy in the inimitable style of Anders Thomas Jensen. Mads Mikkelsen excels again in a role of a taciturn soldier coming back from the war to bury his wife and find the way of connecting with his daughter. The investigation of the train catastrophe which moves the movie towards the quest for revenge is in the hands of three strange IT divas. Nerds reeling off hilarious lines create a strange antithesis to the silent Mads, an aspect that the screenplay exploits rather unexpectedly. The excellent action scenes are among the best I have seen in this genre and the surprisingly pleasant ending makes sure that Riders of Justice is a classic Christmas movie.
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John Wick, a biker gang, a prostitute, causality, correlation, Christmas and IT dudes. It's equal parts psychological drama, Nordic noir with social overtones, proper black comedy, uncompromising action flick, intimate family drama about coping with unexpected loss, (not so) feel-good buddy movie, situation comedy, Christmas cheer movie and… and a few other genres and boxes too. What is admirable is that it is not for a moment a disparate mishmash and a tug-of-war over which genre will pull the strings. Despite the multi-genre disjointedness, it's integral, as it works on several levels and opposing genres simultaneously. So the scenes where you bust out laughing while nerve-wracking tension builds and we get to the heart of the characters, among other things, are not the exception that proves the rule.
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Actually a perfect return to the cinema. It's exactly the kind of film where a different row is laughing every moment, because the range of humor here is really wide. Occasionally there's a "yay!" from the left, a "dude!" from the back, and when someone sitting in front of you laments "Oh, shit" in one scene, you shake your head with a frown. Like the action scenes, which rival Gareth Edwards in brutality. Plus, it's a great grab bag of familiar faces (Mia Goth got fat? Dylan Moran can speak Danish? Is that the frog from Nachtmahr?) who are actually someone else. Plus, personally, I have a soft spot for movies whose cathartic punchline is how nothing actually matters. After all, how else to handle a story about how a crusade of male stereotypes (the most IT IT crowd, the most PTSD soldier, the most gay gay) avenge the death of a lady in a manner they're so forged into that they screw it up with grace from the ground up. The Egypt punchline is totally FTW, I'm still laughing at it as I type this. The first Jensen that sat well with me, though he's still clearly recognizable in this.
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A hybrid that has almost everything. That wouldn't be so unusual, but what is extremely extraordinary is how cleverly and sophisticatedly the filmmakers were able to combine the different aspects of the film together and what a whole they managed to make out of it. A bit of a guy drama full of weirdos, a bit of John Wick, occasionally a black comedy with typically Nordic, goofy humour and grunting actors.
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