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A young man receives an emergency phone call on his cell phone from an older woman. The catch? The woman claims to have been kidnapped; and the kidnappers have targeted her husband and child next. (official distributor synopsis)

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POMO 

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English Cellular is not a serious and suspenseful thriller by any stretch of the imagination. It’s rather just an overwrought joke of a movie with a lot of clichés and donkey bridges. And even some of the characters are copies of other characters from better and more famous films (for example, Macy’s cop is a facsimile of Duvall’s Prendergast from Falling Down). Kim Basinger is bland and Chris Evans is simply just there with his TV-series good looks. On the other hand, if you don’t take it seriously, but merely as a lively 100-minute Nokia commercial, you’ll have a good time, but definitely not a better time than producer Dean Devlin had after signing the contract with the company. ()

agentmiky 

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English Do you remember the action films from the 80s and 90s that were so fun when you took them lightly and didn’t treat them as serious works? That’s exactly the category Cellular falls into, offering 94 minutes of entertainment. It’s a film full of moments overflowing with illogicalities, some of the actors’ performances are more laughable than praiseworthy, and it’s honestly full of clichés. But if you turn your brain off, you’ve struck gold. The story is quite ordinary, though the idea of a phone call running throughout the entire film isn’t the most common concept. Kim Basinger didn’t do badly, but I might have chosen someone else. Chris Evans shined in the role of a carefree young man, and I enjoyed how he turned into a would-be action hero by the end. Since I’ve already touched on the topic of heroes, William H. Macy in the role of a cop who’s been on duty for 27 years really topped it off. To be fair, the role was tailor-made for him. Statham played the villain, and if I were a Hollywood director, I’d call him immediately to ask if he’d be interested in playing an assassin. The ending was more amusing than anything, but I eventually accepted it. I give it 74%. P.S. The Finns must have been thrilled because such advertising for Nokia surely multiplied the sales of these unforgettable phones. ()

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novoten 

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English At first, I was quite scared about what Chris Morgan had prepared for me in his screenwriting debut, because the main abduction happens before I even get a chance to settle down, and right from the beginning it presents an unbearably (and almost unwatchable) hysterical Kim Basinger and Chris Evans trying to win back his ex-girlfriend. In the end, it turns out to be a mixture that alternates excellently built tension with logical flaws and adds a moderately high pile of clichés on top of it all. Fortunately, a likable character gradually emerges from the mess, so I had someone to cheer for, and thanks to Evans in particular, I have the impression of a better-than-average movie in Cellular. ()

Malarkey 

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English At the beginning it was a crazy trip. In the introduction I thought that Chris Evans was making fun of me when he deliberately walked around shirtless and tried to seduce Jessica Biel with cheesy pick-up lines. She wasn’t buying it, so I felt like I was going to watch something similar to Beverly Hills 90210. Then we get to see Kim Basinger who has a problem, and at that moment the movie becomes a Nokia commercial. It was probably good at the time but today it’s pretty laughable considering where Nokia is today and what it could do in 2004 according to the movie. I had no idea about many of these functions until watching the movie but okay. Over time, the flick turns into a pretty good action movie with the best the genre has to offer. In the end I was surprisingly satisfied – which is something I didn’t really expect. ()

kaylin 

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English Yeah, this film has the right drive; it keeps you on edge and doesn't let you breathe, which is exactly what it aimed to do. To keep you riding the wave of adrenaline. In the end, I wouldn't expect much else from Ellis. He succeeded in making a film that's properly claustrophobic and fast-paced. Evans fits into the role quite well, occasionally delivering humor, while Kim Basinger is excellent in her role as well. Even though she doesn't act much, it looks like she's giving it her all. William H. Macy is perfectly cast and surprisingly gets some action scenes, which I wouldn't expect from him. It's not the 2004 film of the year, but as popcorn entertainment, it might be better than drawn-out blockbusters. ()

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