Directed by:
Kornél MundruczóScreenplay:
Kata WéberCinematography:
Benjamin LoebComposer:
Howard ShoreCast:
Vanessa Kirby, Shia LaBeouf, Ellen Burstyn, Benny Safdie, Molly Parker, Sarah Snook, Iliza Shlesinger, Jimmie Fails, Sean Tucker, Domenic Di Rosa, Noel Burton (more)VOD (1)
Plots(1)
A heartbreaking home birth leaves a woman grappling with the profound emotional fallout, isolated from her partner and family by a chasm of grief. (Netflix)
Reviews (4)
The opening birth scene is one of the best film sequences in recent years. Unfortunately, the rest of the film never reaches that high bar, nor does it present anything very original, but I’m still satisfied.
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Topic, which probably not everyone needs to see, including here and there explicit first half hour of childbirth that not everyone can handle. And not just because of explicitness, but also because of the topic itself. However, if you get through it, you will witness a splendid acting performance by Vanessa Kirby and equally interesting Shiy, who is interesting wherever he appears. Nevertheless, to me it all still seems a bit superficial.
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Sensitively filmed, superbly acted. And especially from Vanessa, who is – and I'm certainly not saying this for the first time – absolutely fantastic. The film is all about her, and her character is very interesting. Her movie husband – if I'm not mistaken – said about her at the beginning that she's always cool. And that's how she came across to me, a strong and emotionally stable woman. What happens to her and to those around her when she's faced with such a difficult life situation? You can see that for yourself. I know I'm going to be one of the few, but I didn't find Shia very likable in his role. But to be honest, I almost always feel that way about him.
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The opening scene, which demonstrates the hell of home birth, is extremely impressive and pretty much determines all the events that follow. It's at once fascinating and disheartening how the mutual support and understanding during the intro subsequently turns into chiding, contempt, and a conscious need to hurt each other. I see great truth in the old familiar cliché that despite the noblest of intentions, no one in their immediate community can understand how you really feels in such a difficult situation. Through the evocative performances of both Vanessa Kirby and Shia LaBeouf (that guy is really good), Pieces of a Woman gives a fairly comprehensive picture of what happens to the psyche of two people who have experienced together one of the worst possible tragedies in their lives. Remarkably conscientious, sensitive, and delivered with a strange fragility, this is an elegy that is extremely intimate yet monumental. [80%]
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