Directed by:
Ridley ScottScreenplay:
Dan O'BannonCinematography:
Derek VanlintComposer:
Jerry GoldsmithCast:
Sigourney Weaver, Tom Skerritt, Veronica Cartwright, Harry Dean Stanton, John Hurt, Ian Holm, Yaphet Kotto, Bolaji Badejo, Helen HortonVOD (4)
Plots(1)
The terror begins when the crew of a spaceship investigates a transmission from a desolate planet, and discovers a life form that is perfectly evolved to annihilate mankind. One by one, each crew member is slain until only Ripley is left. (official distributor synopsis)
Videos (3)
Reviews (15)
The collective terror of the unknown in an isolated environment. The first serious sci-fi/horror movie with a blood-thirsty space monster…and the most artful one to achieve cult status. Unlike Cameron’s follow-up, Aliens, Ridley Scott’s Alien modestly, or even intimately, presents the creature in a gradual way, exploiting the mysteriousness and menace of the perfect, indestructible extraterrestrial organism at the top of the food chain, towering above everything that we know from Earth. The close-ups of the scared-to-death, realistically natural and poorly armed crew members, the visual exploration of the futuristically elegant and industrial bowels of their spaceship Nostromo, the creepy atmospheric music by the unrivalled sorcerer Jerry Goldsmith, and primarily H.R. Giger’s brilliant design of not only the monsters themselves make Alien a unique classic of the genre. It is an establisher of trends and a source of inspiration in which, even after forty years, it’s impossible to find a cliché or guess who will survive.
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A fascinating legend, which has been delivering all subsequent films with a suggestive atmosphere of unknown evil for over forty years since its creation. A captivating performance by Sigourney Weaver, the impossibility of guessing what is in store for the crew in the next few seconds, accompanied by darkness, fear, and terror, with the help of minimal special effects. An incomparable accomplishment from Ridley Scott and proof that even a film where almost nothing happens in the first half can be perfectly breathtaking throughout its entire runtime.
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The most famous representative of its genre, its thematically related followers can’t even hold a candle to it. My big sister told me that during a screening in our cinema (during the totalitarian era – what a wonder!), a female spectator didn't manage to leave the hall and threw up during one tense scene. Nowadays, Alien probably wouldn't shock anyone, but back then it was something completely new, unseen. I have two people in particular to thank for that: Ridley Scott, who was in fine form, and H.R. Giger, without whose vision, the result would probably not have been so rewarding.
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Seven years later, I again watched the film that got me interested in film in the first place. I was surprised that it hasn't lost any of its appeal over the years. Perhaps the fact alone that I remember those legendary moments vividly enough to still be frightened or tense. But that's a purely subjective feeling. Scott's thoughtful direction, in which all the essential elements - the cold spaceship design, the play of lights and shadows, Goldsmith's music, the rational crew and, last but not least, the legendary uninvited guest - are perfectly in place and can still captivate me even all these years later. To today’s generation (my contemporaries), for whom cinematic horror is produced in the form of screaming teenagers and remakes of Asian boogeymen, this space opus probably doesn't really do much for them, but over the years it's not what, but how! Without a drop of nostalgia, fully aware of "getting older," it’s still an absolutely riveting blast.
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When a movie manages to frighten you to death even thirty years after its release, you must admit it’s good. And all you need to do is to show nothing, keep everything hidden and flash lights in the viewers’ faces and they will be terrified. If it weren’t for James Cameron, Ridley Scott would be the uncrowned king of the Alien saga.
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