Greenland

After a long time, a more expensive and bigger film, which is a pleasure in the current crisis, and also the fact that disaster films are like saffron. Greenland has solid visuals, decent pacing, Gerard Butler performing to his standard, and there’s plenty of suspense. The film is mainly a road movie about saving a family, the actual VFX attractions are a bit less, but when it comes to them, it's definitely worth it. Story***, Action****, Humor**, Violence**, Entertainment****, Music****, Visuals****, Atmosphere****, Suspense****. 7/10. (11/14/2020)

A very sober and rational view of disaster. Understandably it doesn't have the fun factor of Armageddon or San Andreas, but Greenland surprisingly maintains a high stamp of believability and raw reality most of the time. Too bad about some infuriatingly clichéd scenes (the ending), but thank heavens for the likeable moments that are pleasantly chilling in places and very well acted. Baccarin is surprisingly commanding, Butler is just OK. The pace is great and even though you can see that it's kind of a low budget movie, the filmmakers managed to camouflage it well. Decent and overall smart entertainment. (12/11/2020)

A comet is heading for Earth and Gerard Butler must save his family. Not the world or civilization, just his family. On the surface, Greenland is a very ordinary disaster movie, but what makes it different from the others is that it revolves around ordinary people trying to survive. Nothing more. Solid actors, very brisk pace and well built tension. Nothing too new, but above average entertainment. (11/24/2020)

Ric Roman Waugh, after successful dramas set in the prison environment, tackled a disaster film. One might think such a shift wouldn’t result in anything good, but the opposite is true. The first half of the film innovates the genre in many ways, showcasing the dark side of people that would emerge in these apocalyptic scenarios. These intimate moments are actually among the most successful aspects of the film. The tension is built meticulously, and the airport scene is top-notch. The film has an immensely pessimistic tone, and its civil approach, which doesn’t rely heavily on exaggerated computer-generated effects, drew me in remarkably. However, the second half shifted to an American style where the main characters face no real consequences. This slightly tarnished the positive experience from the first hour. Nonetheless, the acting is solid; Gerard Butler has found his niche in these family-oriented roles in recent years, and he’s always a good choice for the lead. The rest of the cast performs well too. The ending was surprising. The first half deserves 8/10, the second half 6/10... Still a decent, above-average film within the genre. For me, it’s 7/10. (11/25/2020)

A down-to-earth disaster nail-biter with an unexpectedly realistic first half. After the excellent first hour it jumps feet first into the realm of Hollywood and things start to work miraculously. Vaughn approaches this in the same way as Seňor Spielberg in War of the Worlds, concentrating on an ordinary family with Butler in the role of a dad chosen to survive. It chugs along marvelously and there’s always something happening. Surprisingly, the government does what it should; the other characters are not one-dimensional; the powerful scenes with fire raining down and blast waves work splendidly. Movies like this a needed in this day and age; it makes you realize that things could be much, much worse. Covid is nothing in comparison to Clark. (12/07/2020)