Cinematography:
Brett JutkiewiczComposer:
Brian TylerCast:
Neve Campbell, Courteney Cox, David Arquette, Melissa Barrera, Jack Quaid, Mikey Madison, Jenna Ortega, Dylan Minnette, Jasmin Savoy Brown, Mason Gooding (more)VOD (4)
Plots(1)
Twenty-five years after a streak of brutal murders shocked the quiet town of Woodsboro, a new killer has donned the Ghostface mask and begins targeting a group of teenagers to resurrect secrets from the town’s deadly past. (Paramount Pictures)
Videos (2)
Reviews (12)
All the participating creators obviously love Kevin Williamson and Wes Craven, so they pay them a hundred and one tributes, dig to the very bottom of the homage and really present a new Scream in all its glory. But the whole time you can tell that it's not exactly right, just like it wasn't right in 2000 when a different screenwriter came for the third installment and the lightness started disappearing immediately. Thanks for the return of all the legends, thanks for the fact that the meta flip of everything is still here, but maybe less would be more. The discussion about the direction of the genre, the point, and the fandom takes up almost half of the running time and undermines the series itself too much. Despite one fitting jump scare and a few nicely tuned moves, I am ultimately disappointed with the lack of tension, freshness, and overall novelty that even the underrated fourth one was bursting with. Additionally, the series resorts to steps it didn't have a reason to take before, and when discussing all possible identities of the killer at the end, it suddenly didn't matter anymore because any potential surprises had already been revealed. I don't welcome the planned sequel, it's terribly early as far as keeping healthy boundaries is concerned.
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It laughs out loud at The Babadook, The Witch, and Hereditary for being pretentious bore and then lets us spend two thirds of the film watching close-ups of uninteresting people dealing with family relationships. It comes across as XXX-parody, because the film comes across as terribly cheap (like there's no money for extras at a high school or hospital) and the actors look like porn actors. And I don't mean that as an insult – they do really look like that.
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Matt Bettinelli-Olpin and Tyler Gillett are a proven duo (Southbound and Ready or Not were no fluke) and the return of the famous slasher franchise is a great success. Those with knowledge of previous episodes have an advantage, I've forgotten most of it, but thankfully it didn't detract from the viewing experience. New youngsters are introduced and old friends return, Ghostface is in great shape (the high bodycount is a plus) and he definitely knows how to use a knife, he makes his victims uncomfortable and in all different ways and angles, so definitely a nice show. The nice thing about Scream is that it's one of the few slasher films that follows absolutely all the rules of the genre, even shapes and plays with them. The detective-like hunt for the killer, where absolutely everyone is a suspect and nobody can tell with certainty who Ghostface is until the finale works very well here. The various allusions and winks to other horror films and the the occasional wisecrack are nice, and the explanation of why Scream is a Legacy-seqquel and not a sequel or prequel was downright brilliant and very apt. It's not a horror film to be scared at, although the suspense works, but as entertainment it's almost impossible to fault. Story 3/5, Action 4/5, Humor 3/5, Violence 4/5, Fun 4/5 Music 4/5, Visuals 4/5, Atmosphere 4/5, Suspense 4/5, Emotion 3/5, Actors 3/5. 8/10.
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The Scream franchise was bound to come back at some point even without Craven, so there is no reason this could not happen. This movie is a solid continuation of the franchise, even if it does not bring much new to the table. I was slightly shaking my head at some of the creative decisions. Plus, with one specific creative decision, I even said I might not count it as canon (and I am not going to). However, this is still a very entertaining slasher horror movie that is undeniably meta. Some of the dialogue makes you laugh, and it is entertaining with fine new characters, among which Jack Quaid clearly stands out. Plus, there is Kyle Gallner as the white trash redneck who should have been in there a damn sight more! With the next installment, the movie’s producer will just have to go down a very crazy route, so it is not the same thing over and over again, so I expect at least the return of Matthew Lillard, who probably only has minor scars on his face from the first Scream.
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On a certain meta-level, the film’s protagonists excuse the fifth Scream for being a mere recycling of several worn-out formulas and motifs (which it is), because that’s what devoted fans want. And it is possible that that might actually be enough for fans of the genre, particularly fans of this franchise. Nevertheless, such a hackneyed film that serves viewers practically the same thing as its predecessors and has no need to distinguish itself in any way is hardly saved by the fact that its creators are aware that it’s worn out and humorously point that out in places. The protagonists can endlessly make snarky comments about the various rules of the horror genre and all of the mistakes that horror-movie characters make, but what good does that do if they themselves can’t avoid making the same mistakes? To a certain extent, however, there is still some entertainment value in the game of guessing which character is the killer while the possibilities gradually dwindle. Otherwise, neither the new (and not particularly likable) characters, the return of old familiar faces nor the gory (though unimaginative) murders hold much appeal.
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