Directed by:
Wes BallScreenplay:
Josh FriedmanCinematography:
Gyula PadosComposer:
John PaesanoCast:
Freya Allan, Owen Teague, Peter Macon, William H. Macy, Kevin Durand, Eka Darville, Sara Wiseman, Neil Sandilands, Lydia Peckham, Dichen Lachman, Karin Konoval (more)VOD (3)
Plots(1)
Director Wes Ball breathes new life into the global, epic, franchise set several generations in the future following Caesar’s reign, in which apes are the dominant species living harmoniously and humans have been reduced to living in the shadows. As a new tyrannical ape leader builds his empire, one young ape undertakes a harrowing journey that will cause him to question all that he has known about the past and to make choices that will define a future for apes and humans alike. (20th Century Studios)
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Reviews (11)
Yes, it's true that the last third doesn't live up to the two previous ones, although it really tries to, but otherwise it's basically a repeat of the 13 year old surprise from Rise of the Planet of the Apes, which I wasn't expecting much from either. This time, we've finally reached the stage where the apes are playing the lead and humans have taken second fiddle (although it may be different again in the sequel), and it's great. The visual effects work their magic again, the characters are 100% believable, the story is interesting and exploring an alien but familiar world definitely has its charm
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Caesar is dead, but his legacy lives on, albeit in a twisted form! Although I haven't seen War for the Planet of the Apes, I went to the cinema to see the latest entry in the post-apocalyptic ape saga, as it is a fresh reboot(?) of the franchise. Kingdom of the Planet of the Apes is another audiovisually captivating spectacle, standing out in particular for its amazing CGI apes. Story-wise, the film doesn't have much to surprise, but it was still very easy to watch thanks to the attractive visuals and the regularly dosed action. I was intrigued by the character of Raky and also by the line with the breeding of eagles (it reminded me of the ikrans from Avatar). I wonder if there will be a sequel in the coming years, which I certainly wouldn't be averse to.
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I don't see any major differences in the direction and I don't trust Wes Ball much, but for me it's another sheer blockbuster spectacle that meets the highest criteria, it's setting itself up for another excellent Trilogy (there aren't many of those in the works right now) and it will definitely be in the top 5 among blockbusters this year. Plot-wise, I like it better, the apes are in control and the humans will gradually fight to take over. The new hero Noah is likable, Freya Allan is adorable and acts great (another female star looms here), Proximus is a solid villain, visually it's a VFX gem! The action scenes have drive, tension, emotion and a thick atmosphere, in fact I was almost breathless during every scene, it's that gripping (the home invasion one was almost horror) and the whole grand finale has the necessary gusto. 100% immersion in the story with a world that still has something to offer. 85%
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I'm going to say it, and I'm surprised myself. Even though I'm an old boomer who grew up on the first Planet of the Apes from the late 60s, and even though I'm not a fan of the CGI serendipity of today, the direction that Rupert Wyatt took 13 years ago, Matt Reeves continued, and now Wes Ball has followed up on, is very much to my liking. While the old Apes from the 70s was becoming a ridiculous parody of itself (and an ugly one at that) episode by episode (except for the legendary first one), and Tim Burton didn't take to it happily later on either, so the current tetralogy is beautifully paced, looks beautiful, makes logical sense in how the apes evolve and take over, and the current installment is such a natural evolution in the plot that the cards are already clearly dealt. It makes me happy that in this day and age we have a film franchise that has great references and works well, which is not the norm in contemporary Hollywood, where "rhyming" is done at the top of its lungs and it usually turns out badly.
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A slow journey of a story, which always likes to stop just long enough to introduce a new culture, show a few of its customs, and then unleash an archetypal battle that is never black and white. The effects are just as stunning as we have grown to expect from Planet of the Apes. Thanks to this, the ever so delicately guided humanistic storylines leave even more of an impact, especially since the promises of future events play out casually in the background. A clever blockbuster in that mood I will never stop seeking.
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