Unbreakable

I'm a sucker for mysterious, even supernatural movies. I enjoy watching them and discovering what’s happening along with the characters. It's just that these 106 minutes felt like an eternity. Even the cast couldn't save it. If there was any tension, then I clearly wasn’t paying enough attention in physics... It seems I only crossed paths Mr. Shyamalan in 1999 without so much as a fart since then. Unbreakable was just a mystical bore. (12/17/2018)

Mysteriously-dramatic family thriller with a comic book twist. And an amazing film to go with it. Simply put, Shyamalan has put together a brilliantly crafted machine to take the viewer through the most unbelievable psychological twists and turns. From a completely inconspicuous introduction through a mysterious course of events to the ending that will show you just how close to the truth you have been all along. A journey of discovery and the first glimpse of how unpredictable and adored a creator Night actually is. (05/24/2006)

Shyamalan's originality cannot be denied, and in a certain sense, his creativity and inventiveness are evident in every one of his films. However, the story didn't feel as powerful to me as in The Sixth Sense, nor as dynamic and suspenseful as in Signs. (04/04/2005)

I watched Unbreakable after Glass – yes, I'm a bit of an idiot for not following the trilogy (Unbreakable, Split, Glass) in order, thus depriving myself of many a twist in this and the second film. However, I will approach Unbreakable as I the first part. The film cannot be denied an unusual idea – comic book heroes having a basis in the real world. Elijah "Mr. Glass" Price is a truly unconventional "villain" – incredibly fragile on the outside, but brilliantly insane on the inside. The director also deals with the theme of family, which was thankfully kept out of the way and didn't overshadow the supernatural storyline. The final twist is surprising, but not quite as disarming as that of The Sixth Sense. (01/20/2019)

Interesting idea, weaker processing. The Achilles' heel of the film is that it has no de facto supporting plot - it only works with the subtle transformation of an ordinary person into a hero. Oddly enough, it's not particularly boring, but towards the end of the film, I had a persistent feeling of "when will it finally start". More than the indestructible dad Willis, I liked Samuel L. Jackson's mysterious glass man. Through an interesting subject, Shyamalan didn't quite break into the film, but he got somewhere halfway. Still, I like this "hero myth" film more than The Sixth Sense. The less shocking it is, the more impressive it is. A pleasant spectacle that reflects both the phenomenon of comics and the phenomenon of father-son relationships, but it could not resist superficiality... (02/01/2004)