Directed by:
Don SiegelCinematography:
Bruce SurteesComposer:
Lalo SchifrinCast:
Clint Eastwood, Harry Guardino, Reni Santoni, John Vernon, Andrew Robinson, John Larch, John Mitchum, Mae Mercer, Lyn Edgington, Ruth Kobart, Woodrow Parfrey (more)VOD (3)
Plots(1)
A police detective defies his superiors and gambles with innocent lives to capture a sniper terrorizing San Francisco. (official distributor synopsis)
Videos (1)
Reviews (7)
After what feels like ages, I found myself alongside Harry Callahan once more, chasing down Scorpia. It's been fifty-one years since Harry's first hunt (without me, obviously), and in this latest outing, his age shows, especially in the way the blood looked, almost like washed-out clay. But that didn't dampen my enjoyment one bit, because the core message of the film remains disturbingly relevant. Just like Harry, I'm baffled by the notion that any murderous scumbag deserves more humane treatment than their victim(s) (or their surviving loved ones, for that matter). While I don't advocate for a shoot-first-ask-questions-later approach for police (because let's face it, that's a recipe for disaster), there's still a thrill in watching a righteous lawman safeguard society and save taxpayers' dollars in the process. Major props to the casting in this one. Obviously, Clint Eastwood is top-notch as always, but let's talk about Andrew Robinson as the killer. That guy could smirk with such brazenness, he'd make a blunt object seem like a perfect argument in a deep, philosophical debate. / Lesson learned: If you're not good at maths, don't mess with Harry.
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You expect an action movie and you get something completely different. Don Siegel directed this so brilliantly that you're not overwhelmed by the epicness of individual scenes, but simply by how everything is structured and how incredibly realistic it all feels. Clint Eastwood is incredible and great to watch. This is the cop you want on your force because he can handle the worst situations.
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I just couldn't wait for Harry to kill that demented, braindead idiot, because I haven't seen such a stupid “killer" like this in a long time. I hope the real Zodiac Killer that inspired Dirty Harry had at least a little intelligence. Clint Eastwood carries the whole film; great wisecracks alternate with action sequences that were outstanding for that era. The music is surprisingly good and perfectly complements the atmosphere of the movie. A classic.
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Where would all the detectives ignoring their bosses be without Harry Callahan? And who would have inspired Bruce Willis for Die Hard if it weren't for the guy in the jacket who shoots villains with a .45 whilst cursing them? "I know what you're thinking. Did he fire six shots or only five? Well to tell you the truth in all this excitement I kinda lost track myself..." A classic of classics that never gets old and matures and turns golden with time. Eastwood is God, Siegel is God, Schifrin is God...
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In Clint Eastwood's extensive filmography, Dirty Harry is considered one of the pivotal films that shaped his career, and the role of tough detective Harry is iconic. However, taking a critical look not only at this film but at the entire series with the titular hero that followed, I cannot help but feel that it is a rather average crime movie of its time. If it weren't for the charismatic and rugged Eastwood, there would not have been a demand for these films. The whole plot is inconsistently and unconvincingly built to highlight the role and attitudes of the main character, who criticizes the system. As a result, both superiors and especially political representatives behave like a flock of idiots. Similarly, the psychology of the villain is brushed off, and his behavior is illogical. At the time of its release, the film and its protagonist sparked extensive discussion and criticism from both film critics and journalists, who criticized his political views as brash and resembling those of Judge Lynch. Harry was even branded as a fascist. The fact is that it was the activist 70s that followed the turbulent aftermath of the 1968 events. In hindsight, Harry seems like an innocent likable character, unlike those policemen from the Belmondo crime movies of the 70s and 80s, who shoot gangsters on the streets upon their encounter and beat them in sensitive parts of their bodies because they know best where the guilt lies and they don't need a trial for punishment. Though they do it with a charm and catchphrases, I find them much more problematic. Not to mention José Padilha's films, which seem like a deliberate assault on the liberal state and liberal values using artistic weapons. Overall impression: 60%.
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