Directed by:
Don SiegelScreenplay:
Albert MaltzComposer:
Ennio MorriconeCast:
Shirley MacLaine, Clint Eastwood, Alberto Morin, Armando Silvestre, José Ángel Espinosa 'Ferrusquilla', José Torvay, Enrique Lucero, Hortensia Santoveña (more)VOD (3)
Plots(1)
Starring Clint Eastwood as mercenary gunfighter Hogan, TWO MULES FOR SISTER SARA opens with its star saving a naked woman from being gang-raped. He's more than a little surprised when the attractive woman, Sister Sara (Shirley McLaine), dons a habit. It seems she's deeply committed to a group of Mexican revolutionaries fighting against the French. Hogan agrees to escort her to the camp, since he's interested in helping them attack the French garrison, if the money is right. As they travel, Hogan becomes a bit suspicious of the nun's fondness for cigar smoking and the odd shot of whiskey. Near Santa Maria, Hogan's attempt to blow up a French ammunition train is foiled by an arrow in the shoulder, but after bandaging him, Sara helps the mercenary set off the planted charge with a rifle. When they reach the camp of Juarista commander Col. Beltran (Manolo Fabregas), Sister Sara displays a detailed knowledge of the layout of the French garrison while revealing her true identity, which comes as a surprise to no one but Hogan. (official distributor synopsis)
(more)Reviews (4)
As I delve into classic westerns, I'm constantly amazed by how the filmmakers of the time could create such unexpected and fantastic duos. Today’s filmmakers could certainly learn a thing or two. In this gem, the rugged Clint Eastwood teams up with the mischievous nun Shirley MacLaine, who’s not above sneaking a swig of rye. The plot is straightforward but perfectly suits this quirky pair. The sarcasm flows as freely as whiskey from a bottle. And of course, it’s all set to the perfect score by Ennio Morricone. What more could you want?
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I wouldn't be angry at all if it was a bit shorter, but the spark between Shirley and Clint is so strong that it's surprisingly enough for a good experience in itself. And that is even without a proper plot. And with a traditionally brilliant Morricone.
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Clint robbing dead bodies while humming a merry tune, a nun who drinks a bit too much and a great western. The brilliant one-liners during the verbal exchanges of the incongruous duo and the ever-perfect Ennio Morricone make this movie an entertaining and inventive watch.
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Not that I'm crazy about Westerns, but I do enjoy the ones with Clint Eastwood. This one was a little different; the filmmakers were going for a more humorous take on things, and those expecting a lot of shoot-outs would end up sorely disappointed, except for the ending. I enjoyed the film even the second time around (except for a few minor issues). Clint Eastwood was badass as Hogan, Shirley MacLaine was cute as Sara, and Ennio Morricone reminded me once again of how much I love his scores. I was certainly satisfied, and I stand by my original rating.
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