Directed by:
Rian JohnsonScreenplay:
Rian JohnsonCinematography:
Steve YedlinComposer:
Nathan JohnsonCast:
Daniel Craig, Edward Norton, Janelle Monáe, Kathryn Hahn, Leslie Odom Jr., Kate Hudson, Dave Bautista, Jessica Henwick, Madelyn Cline, Noah Segan (more)VOD (1)
Plots(1)
World-famous detective Benoit Blanc heads to Greece to peel back the layers of a mystery surrounding a tech billionaire and his eclectic crew of friends. (Netflix)
Videos (2)
Reviews (9)
I thoroughly enjoyed the first Knives Out because of the well-written story, great atmosphere, and Ana de Armas. This time, however, I was mainly faced with excessive running time, long, unnecessary explanations, and left-wing propaganda (and I'm not exactly wealthy capitalist myself). Plus, the finale played into the hands of all those crazy activists smearing mashed potatoes on works of art in galleries. This activity will soon solve all our planet's environmental problems. The main problem with the film was that it contained occasional moments that amused me, but desperately few for a movie with a running time longer than two hours. I'm not sure if Daniel Craig and Edward Norton portrayed characters influenced by COVID so well or if they were just tired. Most of the characters (if not all) lacked depth; the plot was sometimes boring and occasionally even irritating, so I'm obviously not impressed. / Lesson learned: An idiot in charge is not an unusual phenomenon. 3*-.
()
I didn't appreciate the first film until a second viewing, but Glass Onion won me over almost immediately. It's as if Rian Johnson needed Knives Out mainly to present Benoit Blanc in a somewhat more classic story, and once he succeeded with that, he could go all in. Yes, the plot is reliably well known to fans of whodunits, but the way the script plays with it this time is much more refined. From the beginning there is something different, but you don’t know what. The more or less likeable characters do weird things, but you don’t know why, and there are some celebrity cameos. And then, the first half the film goes by and there's an absolutely amazing twist that turns almost everything upside down, and the fun can continue in an even wilder vein until the explosive finale. The direction, the script, the actors, the music, really, everything is impeccable. And Daniel Craig, he’s just flawless. You'll enjoy his every gesture, every line, and after one of the funniest monologues I've heard at the end of a whodunit, you'll want to read "Benoit Blanc will return" at the end of the credits.
()
Daniel Craig does a credible job, his detective character fits him like a tailored suit, and he enjoys playing that character to the maximum delight of the viewer. The costumes and the interiors and exteriors in the second Knives Out adventure are also great. The other characters arouse the viewers’ interest in unravelling the mystery and, mainly, revealing their true relationship with their host, a billionaire played by Edward Norton. However, the denouement is in no way surprising or clever, which makes the film merely a pleasant, colorful diversion with a refined style.
()
Satisfaction. It’s not a gem of whodunits and it doesn’t give the viewers a literal conclusion like the first Knives Out. The problem is the messy ending, when things get quite anarchic. On the other hand, I've rarely been so immersed in a film this year that I've tried to get to the bottom of it – which I didn't, thumbs up for some of the twists and turns. In short, Glass Onion works as a completely immersive whodunit and will keep you entertained. And thumbs up also for the very imaginative and substantial cameo roles, two of which sound very, very rare in the current context.
()
Rian Johnson is boss! Glass Onion successfully continues to revive the rules of the old school of detective fiction, and Daniel Craig is still enjoying Benoît Blanc immensely. Naturally, you expect a moment of surprise and therefore anticipate some of the betrayals. The cast is interesting, but it’s certainly not as good as in the first film. Edward Norton revels in these roles and Kate Hudson is entertaining, the others rather support the well-written script. The Greek island setting, enlivened by hig-tech gimmicks and amenities (the non-smoking garden) and artwork, is as impressive as the Glass Onion itself.
()
Ads