Directed by:
Sam HargraveScreenplay:
Joe RussoCinematography:
Greg BaldiCast:
Chris Hemsworth, Golshifteh Farahani, Adam Bessa, Tornike Gogrichiani, Andro Japaridze, Tinatin Dalakishvili, Ольга Куриленко, Idris Elba, Dato Bakhtadze (more)VOD (1)
Plots(1)
Back from the brink of death, highly skilled commando Tyler Rake takes on another dangerous mission: saving the imprisoned family of a ruthless gangster. (Netflix)
Videos (5)
Reviews (12)
Another hellish ride full of action, violence, blood, shootings and everything that a genre film like this should have. Technically, the film is top notch, the explosions, helicopter collisions and bombing all around are of the highest standard and I'd say meticulously executed to perfection and all I need for total satisfaction is more bloodshed on the part of the "good guys", to make it more believable, and more brutal violent sequences to satisfy my craving for gore. But other than that it's a first class action film that is a feast for the eyes and second to none.
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In a short span he suffers a gash in the arm, a screwdriver stuck in the side, here and there some shrapnel under the skin or a knife stab, multiple falls from various heights, fatalities by heavy blows to the arms and legs, and he just shakes it off and moves on. Silly me, I’ve always though the human body is made of bones, flesh and tissues, like they taught us in biology, my mistake, probably. Even Rambo suffered and blew on his wounds back in the day. Nowadays it’s different, heroes have adamantium bones like Wolverine. And here I was thinking that nothing could top stopping bullets with a jacket like in Wick, but now there's some serious competition. All right. Otherwise, nothing against Hemsworth, he's a charismatic guy and he's found himself in what he does; I wish him well, but modern action flicks are just not for me anymore.
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It makes me proud that the pumped-up and visually irresistible action scene from the prison was filmed right here in the Czech Republic. The stunts, camera, and other related work are top-notch, making Extraction 2 one of the biggest events outside of traditional cinema distribution. How much more shocking it is, then, that the plot, which only serves as a necessary complement to the first installment, stretches clichés that I thought had been abandoned in the 1990s, and the events on the Georgian side of the barricade suddenly become an unwanted parody.
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Amazing “single-take” scenes, solid stunt choreography (pity about the blatant CGI in the explosions, crashes, etc., though), without any bollocks, dialogue outbursts or wisecracks during the action; it just rolls along at an exciting pace. And with sheer action filling well over half the running time, there is undeniably much to be genuinely excited about. But... It trips over its own feet with the opening and the ending. The first action set-piece happens in the 20th minute, and all that mandatory “let’s pretend we have a story and characters” filler would be sorted out in five minutes in a timeless action flick. Also, the climax has the problem that the final showdown (itself solid) is significantly overshadowed by all the previous action passages.
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If Chris Hemsworth is the successor to 1990s Sly and Arnold, I say yes, thumbs up, because that is exactly how straightforward Extraction 2 is. And that's why it is subjectively a notch higher than the overly mythological and monumental John Wick: Chapter 4. Hemsworth gets his hands dirty, bleeds, burns, shoots down helicopters, kills with a screwdriver, and at least half of it is in one take with no cuts. Anyone whining about the bad visual effects should realize that this is not an A-list blockbuster going into theaters and costing 150-200 million, but it’s made for TV and costing barely a third of that. 9 times out of 10 there are more breathtaking scenes than most genre films will allow you to dream of, in fact I haven't seen anything this intense in a very long time – this is how The Grey Man should have looked like! An exemplary tribute to the craft of action, a masterful work of cinematography, editing and fight choreography. Come on, let’s have a threequel because Hemsworth is king.
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