Directed by:
Sam HargraveScreenplay:
Joe RussoCinematography:
Greg BaldiCast:
Chris Hemsworth, Golshifteh Farahani, Adam Bessa, Tornike Gogrichiani, Andro Japaridze, Tinatin Dalakishvili, Ольга Куриленко, Idris Elba, Dato Bakhtadze (more)VOD (1)
Plots(1)
Back from the brink of death, highly skilled commando Tyler Rake takes on another dangerous mission: saving the imprisoned family of a ruthless gangster. (Netflix)
Videos (5)
Reviews (12)
With the first movie, I loved the action but felt like the story left my mind completely blank afterward. The sequel promised stunning Czech landscapes and Netflix’s generous investment. Once again, the action is incredible. The car cockpit shots showing action-packed surroundings are mind-blowing, and Chris Hemsworth’s fight scenes, shot in a single take, feel like they’re pumped with double doses of adrenaline. However, the story is still a black hole. The characters are flat and emotionless, so don’t expect any miracles or deep feelings. It’s time to admit that despite Chris in the lead role, Extraction is pure B-movie fare, albeit with fantastic technical execution. It took me a while to come to terms with that.
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This year's biggest hit and Netflix's dark horse has seen the light of day, and for action fans (read proper blokes) this is the second action fest of the year to be celebrated with champagne and a 5 star award. For viewers with low-testosterone levels and lovers of drama, this is a filler before the 60th repeat of Whale and Father. Chris Hemsworth, aka Tyler Rake (definitely a character who belongs in the limelight of modern action cinema with Wick and Nobody), after a tough recovery from Bangladesh, has to take another challenging mission where he has to shoot and beat the crap out of a bunch of scumbags, and I enjoyed it immensely once again. Hemsworth is in top form, he's matured a lot as an actor and he makes the emotions work, so he easily pulls the whole film off reliably and believably. One thing I appreciate about the Extraction movies is that they choose interesting and offbeat locations. Here we get a look at Georgia and the Georgian Mafia, which I found welcome and engaging. The villain, who is the right kind of sneaky scumbag, is a good fit. Best of all, of course, is the action itself, which is what we're all here for, except for a few strays who are once again accidentally watching a different genre than they deserve. The highlight is the very first action set-piece from the prison shot in one take, which not only has a thick atmosphere, insane tension, but also great choreography – I screamed and cried with excitement. The second action scene, the skyscraper ambush, is also excellent. The Georgians have awesome gear. It's a nicely organized and team action inferno where the atmospheric desperation works and Hemsworth makes great use of the setting (the gym was top notch). The finale is already more intimate compared to the rest (not too many enemies left), and it's mostly about seeing the two central rivals give each other a good thrashing – I appreciated the nice use of tools. It's raw, it's uncompromising, it's brutal, it's ball-busting. So my horniness for the film was duly and sufficiently satisfied. If I had anything to criticise, it was the annoying boy character, he bothered me a bit, and the visual effects and explosions had weaker CGI, but not too bad, and the story is perfectly adequate to the needs of the action genre.
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Another hellish ride full of action, violence, blood, shootings and everything that a genre film like this should have. Technically, the film is top notch, the explosions, helicopter collisions and bombing all around are of the highest standard and I'd say meticulously executed to perfection and all I need for total satisfaction is more bloodshed on the part of the "good guys", to make it more believable, and more brutal violent sequences to satisfy my craving for gore. But other than that it's a first class action film that is a feast for the eyes and second to none.
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If Chris Hemsworth is the successor to 1990s Sly and Arnold, I say yes, thumbs up, because that is exactly how straightforward Extraction 2 is. And that's why it is subjectively a notch higher than the overly mythological and monumental John Wick: Chapter 4. Hemsworth gets his hands dirty, bleeds, burns, shoots down helicopters, kills with a screwdriver, and at least half of it is in one take with no cuts. Anyone whining about the bad visual effects should realize that this is not an A-list blockbuster going into theaters and costing 150-200 million, but it’s made for TV and costing barely a third of that. 9 times out of 10 there are more breathtaking scenes than most genre films will allow you to dream of, in fact I haven't seen anything this intense in a very long time – this is how The Grey Man should have looked like! An exemplary tribute to the craft of action, a masterful work of cinematography, editing and fight choreography. Come on, let’s have a threequel because Hemsworth is king.
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It makes me proud that the pumped-up and visually irresistible action scene from the prison was filmed right here in the Czech Republic. The stunts, camera, and other related work are top-notch, making Extraction 2 one of the biggest events outside of traditional cinema distribution. How much more shocking it is, then, that the plot, which only serves as a necessary complement to the first installment, stretches clichés that I thought had been abandoned in the 1990s, and the events on the Georgian side of the barricade suddenly become an unwanted parody.
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