Directed by:
Jiří MádlScreenplay:
Jiří MádlCinematography:
Martin ŽiaranComposer:
Simon GoffCast:
Vojtěch Vodochodský, Táňa Pauhofová, Stanislav Majer, Vojtěch Kotek, Martin Hofmann, Tomáš Maštalír, Igor Bareš, Marika Šoposká, Petr Lněnička (more)Plots(1)
One might think that Czech and Slovak filmmakers have already said all there is to say about the period around 1968 in Czechoslovak history. As Jiří Mádl’s outing shows, however, this crucial era in our modern history still has forgotten stories to offer that are worthy of our attention. The film revolves around the international news office at Czechoslovak Radio, a place full of talented individuals possessing broad insight, linguistic skills, and above all a commitment to honest journalistic work with a focus on the truth. An epic, dynamically shot, rewarding film, which embraces uncommon heroism in the face of an oppressive regime, the strength of fraternal ties, and the eternal themes of love, betrayal, morality, and hope. (Karlovy Vary International Film Festival)
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Reviews (3)
Jiří Mádl has managed to do something that is hard to see in contemporary Czech cinema, he made a film of European quality. He tells a story that, without any pathos and black and white, works well as a historical account, but also as a parallel to the present time and recent events elsewhere. The 130 minutes pass like water and the film resonates nicely after the end, as confirmed by the huge audience applause at this year's premiere in the Great Hall. [KVIFF 2024]
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One might think that this is a topic that has been covered a hundred times, exhausted from top to bottom. However, I must refute all skeptics by saying that such a film about Czech history has not been made before. I knew almost nothing about the events at Czechoslovak Radio. I didn't know the names of the heroes who ensured free broadcasting until the last moments. Everyone should go to see Waves in the movie theater, not only because the film is worth it, but also because it is chillingly relevant and reminds us of situations happening not far from us. Waves has everything. It will give you goosebumps, move you, and make you laugh. Your adrenaline will rise, and you will desperately wish for the characters to come out well, even though you know it is a false hope. Excellent cinematography, perfectly fitting music, and the final soundtrack. Jiří Mádl, the actors, and everyone else who contributed to the film deserve recognition and for you to actually go to the movie theater.
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Of all of Jiří Mádl’s directorial efforts, which so far have always exhibited rather striking naïveté and unbelievability, Waves is by far the best. Among other things, that is because it does not suffer from the ills of his previous films. It is superbly prepared in dramaturgical terms and its carefully structured narrative seamlessly combines a very large number of story lines. The film is an example of top-rate craftsmanship in every respect, whether that refers to the period stylisation, costumes, acting or music. Thanks in particular to the driving music, dynamic editing and feel for building suspense, the scenes involving a clash between the police and student demonstrators, the arrival of tanks in Prague in August 1968 and the military assault on the Czech Radio building are comparable to many Hollywood action thrillers due to their intensity and spectacular execution. In the numerous well-written and varied supporting characters based on real journalists and reporters from the Editorial Office of International Life, who struggled with censorship during the Prague Spring and strived at all costs to keep broadcasting during the invasion, the prevailing feature is absolute clarity, in both their emotions and motivations. This important story deserved an honest, sophisticated and first-class treatment, so it is extremely pleasing that Waves ranks among the best in the context of contemporary Czech films.
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