Directed by:
Steven SpielbergScreenplay:
Steven SpielbergCinematography:
Janusz KaminskiComposer:
John WilliamsCast:
Haley Joel Osment, Jude Law, Frances O'Connor, Brendan Gleeson, Sam Robards, William Hurt, Ken Leung, Kathryn Morris, Jake Thomas, Ashley Scott (more)VOD (2)
Plots(1)
In this dark, contemplative tale from Steven Spielberg, an advanced prototype robot child named David is programmed to show unconditional love. (Netflix)
Videos (2)
Reviews (11)
This is supposed to be Spielberg’s dud? In that case, my opinion of his filmography has increased manifold... A film imperfect due its overly sentimental approach, but beautiful nonetheless in its narrative playfulness and the view of events through an eternally fascinated child's "mind" that best reveals Steven's own fascination with the subject matter. Kubrick would be pleased. 85% ()
Crafted brilliantly, Spielberg's technical precision can't be denied, it's not even up for debate :)). Again, magical music by John Williams, really excellent cinematography by Janusz Kaminski, and Spielberg's script based on a story by Kubrick is also very good... But now comes the "but" :)) But despite the sympathetic performance of H.J. Osment and the great Jude Law, I was just missing something, something extra, the SOMETHING that maybe Close Encounters of the Third Kind had... And I still felt that Spielberg pushed the envelope a bit at the end, but that may just be my silly subjective feeling. Nevertheless, an extraordinary and repeatable experience! ()
I'm not sure if Stanley Kubrick would have gotten more out of this material, but I definitely don't think he would have made it as sickeningly sweet as Spielberg. These are exactly the elements I don't like about his films. That excessive sweetness that tries to force tears into your eyes. Here, however, I didn't even like the story, which may be too inspired by Pinocchio, but by shifting it into the sci-fi realm, it tries to be different. ()
A post-humanity horror film and a film that strays heavily from Spielberg's previous style. It feels very closed, isolated, surreal, and most importantly, fatal. Despite its piecemeal screenwriting and production missteps, it is an exceptional film in how convincingly it closes the human chapter. Not just in the story, but also in the work with visuals, with Kaminski working with a tightly defined, hazy space and the role of sounds and music here uncharacteristically subdued for Spielberg and Williams, giving the film the impression of a memory even as you watch. ()
A captivating and visionary sci-fi film that is unlike anything ever made before. It's not worth arguing about whether Kubrick would have done it better or worse. Spielberg made the film the way he wanted and did not embarrass his colleague. A technically flawless film with beautifully ethereal music and excellently chosen actors. A great experience and once again, one of the masterpieces of world cinema that will most likely never be fully appreciated. ()
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