Directed by:
Steven SpielbergScreenplay:
Jeffrey BoamCinematography:
Douglas SlocombeComposer:
John WilliamsCast:
Harrison Ford, Sean Connery, Denholm Elliott, Alison Doody, John Rhys-Davies, Julian Glover, River Phoenix, Michael Byrne, Kevork Malikyan, Alex Hyde-White (more)VOD (5)
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The third installment in the widely beloved Spielberg/Lucas Indiana Jones saga begins with an introduction to a younger Indy (played by the late River Phoenix), who, through a fast-paced prologue, gives the audience insight into the roots of his taste for adventure, fear of snakes, and dogged determination to take historical artifacts out of the hands of bad guys and into the museums in which they belong. A grown-up Indy (Harrison Ford) reveals himself shortly afterward in a familiar classroom scene, teaching archeology to a disproportionate number of starry-eyed female college students in 1938. Once again, however, Mr. Jones is drawn away from his day job after an art collector (Julian Glover) approaches him with a proposition to find the much sought after Holy Grail. Circumstances reveal that there was another avid archeologist in search of the famed cup Indiana Jones' father, Dr. Henry Jones (Sean Connery) who had recently disappeared during his efforts. The junior and senior members of the Jones family find themselves in a series of tough situations in locales ranging from Venice to the most treacherous spots in the Middle East. Complicating the situation further is the presence of Elsa (Alison Doody), a beautiful and intelligent woman with one fatal flaw: she's an undercover Nazi agent. The search for the grail is a dangerous quest, and its discovery may prove fatal to those who seek it for personal gain. (official distributor synopsis)
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Reviews (11)
January 1992, a long line in front of the Lucerna movie theater in Prague, a ten-year-old me holding an ice cream, my dad, and finally the first Indy movie I had the opportunity to see on the big screen and not on a shabby VHS tape. As a whole, the movie is weaker by a Sphinx’s hair’s breadth or by one step taken by a breastfed pre-toddler than Raiders in terms of action, story, and the sidelining of Indy's friends (and enemies), but I realized this only after the umpteenth viewing. But all these trivial "problems" are erased by the other Jones. And thus for the third time Junior is at the peak of his powers and fully equipped. Simply love at first sight for a movie that did the impossible and exceeded my immense expectations. Respect.
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An incredible movie that definitively moved the series into the waters of immortality. The biggest credit for that goes to the light-hearted script and the perfect chemistry between Harrison Ford and the dry-witted Sean Connery. Every scene between this duo comes together flawlessly, leading up to the final departure into the setting sun.
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When something is done for the third time, you usually know how to do it well, and although the previous two films in the series were in no way bad, the third Indiana Jones represents the true pinnacle of this miniseries and, in a way, one of the peaks of its genre, the adventure film. It doesn't take itself seriously, which is extremely important, and at the same time, it has a sufficiently high budget, an imaginative screenplay that doesn't let the viewer catch their breath for even a moment, and a great cast led by the seasoned Harrison Ford and Sean Connery. The two complement each other wonderfully, resulting in a fascinating spectacle. The tank battle scene or the rescue in the underground labyrinth will remain in the viewer's memory for a long time. Once again, excellent music. Overall impression: 100%.
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Lucas' and Spielberg's apology for the dark pulp flick Temple of Doom, which paradoxically with its "white savior" concept was most in line with the original idea of conceiving Indiana Jones as the cliffhanger adventure short familiar in the 20s and 30s. As vocal as there were voices that adding another dimension to the central character by pinning his impractical father on him would rob Indiana of some of the mystery that surrounds him, on the contrary, the move was helped in particular by a noticeably aged original cast, the new wrinkles and tired eyes simply added a human dimension to the adventurers, not to mention the fact that after the second installment you quite welcome the fact that the sidekick is not a loose young girl lusting after Jones's sweaty, sweaty body between screams. Otherwise, again, the dozens of different sub-quests, the world locations we get to see, the tangibility and light-heartedness of the action, the beautiful framing, and the relentless torture of the crew in their quest to film the never-before-seen, it's still such a beautiful and forgotten cinematic discipline that I'm defining a special way of sitting on the couch that's just for this trilogy. The fourth installment never existed, you may even remember seeing it, but no, it was just a bad dream. This way it’s just fine.
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Music has Mozart, painting has Da Vinci, football has Pelé, porn has Johnny Sins and film has Steven Spielberg. The Last Crusade is quite possibly the funniest, most balanced and most beautifully told big screen movie ever made in Hollywood. A thrilling ride through bombastic locations, peppered with smart wit, surprising action and such likeable clowns that James Cameron can go fuck himself. Dramatically better and more playful than the already amazing first part. A pleasure factory... 100%
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Gallery (189)
Photo © 1989 Lucasfilm Ltd.
![Indiana Jones and the Last Crusade - Photos - Julian Glover, Alison Doody, Denholm Elliott, John Rhys-Davies, Harrison Ford, Sean Connery](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/161/087/161087754_d7def6.jpg)
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