Directed by:
Steven SpielbergCinematography:
Dean CundeyComposer:
John WilliamsCast:
Sam Neill, Laura Dern, Jeff Goldblum, Richard Attenborough, Joseph Mazzello, Ariana Richards, Martin Ferrero, Samuel L. Jackson, BD Wong, Wayne Knight (more)VOD (3)
Plots(1)
Paleontologist Alan Grant and his paleobotanist girlfriend, Ellie Sattler, give lectures on dinosaur history between digs at remote exotic locales. One dusty afternoon, John Hammond, a millionaire inspired by scientific wonders, makes an offer to the erudite couple that they can't refuse: He asks them to act as consultants on his entrepreneurial endeavor--an amusement park with live dinosaurs as the main attraction. On an island off the coast of Costa Rica, Hammond's already biologically engineering living dinosaurs by extracting and reconstructing dino-DNA from fossilized insects. But bedlam ensues when Wayne, a computer genius, tampers with Jurassic Park's security system so that he can smuggle out a bunch of frozen embryos. The prehistoric creatures break loose around feeding time and the millionaire, the scientists, the park employees, and two children become fair game. (official distributor synopsis)
(more)Reviews (14)
After nearly a quarter of a century since I last saw Jurassic Park on video, I am all the more amazed at how terribly well the film works even when nostalgia is taken out of the equation, especially on the big screen with 250 other people enthusiastically reacting to it. Spielberg crafted a sophisticated yet minimally ostentatious meta-film by approaching the narrative about an amusement park as the blockbuster movie equivalent of an amusement park – from the initial promise and fascination through disappointment and cringe to the genuine wonder and physically intense roller coaster. He takes us not only to the marked visitor paths and souvenir shop, but also to the technical facilities and inside the enclosures, where a pure yet dangerous adventure awaits. He takes a similarly self-reflective approach to special effects and the revolution then underway during the production of this film, when computer-generated images were displacing animatronic puppets and optical trickery (but without the necessity of throwing his ingenuity in people’s faces as something that they should notice and appreciate). Because of that, the first Jurassic Park also has a perfect dramaturgical structure that carefully shapes viewers’ expectations and lays the groundwork for individual money shots, whose brilliance consists primarily in their framing by means of the surrounding shots, thanks to which (not only in comparison with today’s usage) the film manages to get by with a surprisingly modest number of computer-generated/enhanced shots.
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I will never forget the roughly 300 m long queue (no exaggeration) for tickets in České Budějovice that stretched from the cinema along the main avenue. Nor will I forget the pictures of dinosaurs from the bulletin specially printed for the viewers of Spielberg's juggernaut, which further piqued curiosity and increased the desire to see this "technical marvel". In a way, it was a social event and everyone wanted to be there. There’s certainly one thing that cannot be denied about Jurassic Park, about which the legendary puppet animatronics director Stan Winston affectionately said that it "put him out of a job", and an unmissable entry into the history of cinema. It wasn’t the first film to feature a CGI character (the primacy is held by the animated window mosaic of the knight from Levinson's Young Sherlock Holmes), but it was the first to dare to depict the movements of a living being in a completely realistic way, and it succeeded beyond measure. But when you scrape away the skin of groundbreaking visual effects and the initial amazement, what remains in my eyes is a completely mediocre adventure story that, unlike other Spielberg cachet like E.T. or Indiana Jones, which never get old, doesn't entertain with such ease. I felt disappointment even at the time of the premiere, compounded by high expectations and a terribly muddled dubbing. Unfortunately, Jurassic Park didn't become my favourite and that hasn't changed even with repeated viewings after many years.
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A flawless example of integrating CGI into the narrative. Thanks to the fact that dinosaurs also appear as attractions in the fictional world and the characters perceive them as such, they film still has a palpable “wow” effect to this day (exemplary in this respect is the scene in which the main characters first see the dinosaurs in all their glory). At the same time, it is an excellent (or reprehensible, depending on how much you despise capitalism) example of how to incorporate merchandising into the story (the uniformity of the film’s logo and the park’s logo, the “incidentally” filmed gift-shop selection). Jurassic Park is a self-assured Hollywood product that gives you your money’s worth by providing superior entertainment that works in every respect. What fascinates me the most is that its effectiveness, which only a few directors have come close to matching, comes across as simply a matter of course. 85%
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The film thanks to which I spent my childhood with books about dinosaurs.
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The great trick revolution, or how silicon found happiness. Spielberg's creation set a new standard and opened up entirely new horizons for commercial cinema by massively involving computer effects into acted film. Unfortunately, it was forgotten that, in addition to tricks, Jurassic Park offered only cheap Crichton broth. The lizards have aged, the tricks are old, and we're left with this nicely gnawed skeleton of an adventure film that's relatively good, but not any more than that...
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The older I get, the more Jurassic Park matures from an adventurous attraction for the whole family into an honorable classic that might never get old. The first brachiosaurus, the first T-Rex roar, the first electric shock. And the first film where I can't say a word about the special effects as I gaze upon the dinosaurs. The fact that this relentless ride comes from Steven Spielberg's workshop is a plot twist of its own.
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An incredibly timeless film. I always looked forward to it as a little girl. It was love at first sight. I used to sit in my pajamas and I loved being scared so much. My favorite childhood movie... and that's saying something.
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This is one of the movie milestones of my childhood. This gave me the initial impulse (as a kid) to start looking at movies in greater detail. Spielberg’s adaptation of Crichton’s novel “Jurassic Park" appeared from out of the blue at a time when dinosaurs were my whole life. Back then this was in short "mind-blending" for me ;) . First the digital effects and second the excellent directing and great acting performances make Jurassic Park a breathtaking watch, even thirteen years later. Mainly Sam Neill put on a perfect performance. Then of course the Tyrannosaurus and not to forget Sam Jackson and his “Mr Arnold". And there’s one more name to mention. John Williams.
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A fantastic blend of adventure, excellent popcorn action, and likeable main characters. Spielberg knows how to entertain people and he proves it to the dot here. The commercial success is completely understandable and it must be emphasized that it is well-deserved, too. Jurassic Park is most likely the best adventure film of all time and even for the umpteenth time, you cannot take your eyes off it. Just the scene of arrival on the island is breathtaking, even without the presence of a single dinosaur. It’s impossible to say with certainty whether Janusz Kaminski would have filmed it better, but the camera work is phenomenal here, as are the visual effects, everything is underscored by the unique John Williams, who deservedly won two Oscars that year.
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Jurassic Park - two hours of SOMETHING that probably changed my life. A perfect film in every respect. No matter what anyone says, the special effects are still unrivalled today. I don't know how it's possible, but when I look at a giant Brachiosaurus, I feel like it's alive. The T-Rex or the raptors in the kitchen are equally creepy. Jurassic Park got me into movies - I've loved the silver screen ever since. It also taught me to appreciate film music and gave me a reason to adore John Williams. That Spielberg's direction is unparalleled probably does not need to be mentioned, as well as the performances of all the actors. Basically, this is a movie miracle. You know it by heart, but you always like to watch it again.___P.S. Crichton's book is better, but in this case I don't think the book-adaptation comparison is appropriate. It should be perceived as Crichton and Spielberg looking at the same thing, but through their own eyes.
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An icon to which I owe much, and I’m not exaggerating. When I was little, it made me fall in love with Hollywood big movies, and with the passing of the years and with each new viewing, it has enriched me with more and more discoveries of how to make a perfectly polished and narrated Hollywood big movie. The immense ease with which the story is carried, unravelled and concluded is only a reflection of the meticulously thought-out screenwriting process and the result of Steven Spielberg's admirable work. Even after at least the fiftieth time, it makes me so happy to get carried away by the initial ideal family idyll, which gradually and smoothly turns into a thrilling adventure ride with the raptors that the film tastefully and systematically introduces in the opening scene. Spielberg's production design and Williams' brilliant score cause goosebumps with unlimited staying power, and the stunts just don't get any better or more believable. I love this film, its characters, its world, its story full of timeless directorial tricks (the vibrating water surface, the tree, the rebooting of the system...), and I love the unprecedented aware merchandising. Iconic status with capital I.
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Perhaps this is now a classic of adventure movie making, excellent by the standards of the time, and I do not believe anyone on this web has never heard of this movie. Brilliant.
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“Life, uh... finds a way”. I've loved dinosaurs and everything related to them since I was a kid – from encyclopedias, to museums, to feature films and documentaries – and Spielberg's Jurassic Park is at the top of the list for me in terms of feature films about these prehistoric lizards. I've seen it several times now, and even though it's been a whopping thirty years since its premiere, it still manages to mesmerise me to the hilt. The film breathtakingly manages to breathe life into the long-extinct creatures that once dominated the land, sea and airspace, bringing them closer to the audience in a supremely authentic way. In addition to the stunning work with animatronics and the incredible visual effects, the makers "spared no expense" on the sounds of the dinosaurs, which feel truly believable (even if it is essentially a reconstruction). The scenes with the escape from the T-Rex and from the kitchen with the velociraptors still take my breath away. But Jurassic Park wouldn't be what it is if it weren't for the casting, with Jeff Goldblum and the young Joseph Mazzello entertaining me the most. Last but not least, I can't forget the wonderful musical score by John Williams, which wraps-up the unique audiovisual experience that Jurassic Park was, is, and will be - "We spared no expense."
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Even though I think that "Jurassic Park" has its flaws, some quite significant ones, I couldn't miss seeing it in the cinema in 3D. After going through the ordeal of getting glasses that would actually have a 3D effect, I could finally enjoy the spectacle that is truly worth it. True. The added 3D value is not that essential, but every now and then you have the feeling that those dinosaurs are coming right at you. If "Jurassic Park" was filmed today, directly as a 3D movie, it would probably be even more interesting. So maybe we will see the fourth installment, which will certainly be in 3D. More: http://www.filmovy-denik.cz/2013/04/jursky-park-1993-80.html
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