Directed by:
Steven SpielbergScreenplay:
Lawrence KasdanCinematography:
Douglas SlocombeComposer:
John WilliamsCast:
Harrison Ford, Karen Allen, John Rhys-Davies, Paul Freeman, Ronald Lacey, Wolf Kahler, Alfred Molina, Denholm Elliott, Anthony Higgins, Frank Marshall (more)VOD (5)
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Archeologist and university professor Indiana Jones must retrieve the mythic Lost Ark of the Covenant before it gets into the hands of Adolf Hitler who plans on using its power to guarantee his global conquest. (official distributor synopsis)
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Reviews (13)
Anyone who doesn't take this brilliant ride through the history of adventure and stylistic tropes as an absolute gem is ripe for a psychiatrist. Spielberg and Lucas created a new form of entertainment that, with any luck, won't get old even after 1000 years. An example of a fully effective application of outdated genres and references to a dominant and entertaining filmmaking style, a playful and engaging combination of myth with real thematic background. Excellent music and camera, an awesome Harrison Ford and very possibility the most iconic character in cinema history, and so on, and so on…
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The two scenes that I consider essential for appreciating Raiders of the Lost Ark (though there are a number of others) are the sequences with the airplane and the submarine. The former is a masterclass in constructing action in space and narrative in the sense of layering information and details that will then be utilised for dramatic effect and causal scene development. In addition, this sequence also demonstrates Harrison Ford’s strengths as an actor, or rather how he is able to sell his charisma while concurrently enhancing the comic essence of the scene with his facial expressions and body language. I find the submarine sequence essential for understanding the entire Indiana Jones franchise and its self-conscious work with trash. It divides viewers into two camps. One will nonsensically debate how Indy could have gotten to the island with the submarine. The other camp will enjoy the genius of the editing ellipsis consisting in the fact that it doesn’t answer the question at all, because it simply doesn’t have to. Then, after a few episodes, the first group of viewers will disparage the refrigerator scene and the presence of aliens (even if they’re not bothered by the Biblical supernaturalism of the first and third instalments), while the opposite camp will appreciate them as further manifestations of how the filmmakers honour the saga’s roots in trashy film franchises and their straightforward logic and low-brow elements.
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I was lucky enough to see this film for the first time as a little kid at the Czech premiere in a completely packed cinema (people were sitting on the stairs), during the deep totalitarian era, when everybody was happy to see something other than a Soviet film (despite the many years of delay). The audience togetherness and the incredible burst of laughter of the whole cinema during Indy's duel with the swordsman is something I will never forget. Beautiful fun.
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During its filming, it was undoubtedly a groundbreaking film that redefined the genre and became iconic. It is possibly only surpassed by Pulp Fiction in terms of the number of imitations and copycats. Today, signs of wear and tear are apparent - the special effects have aged, the pace is weaker compared to the subsequent films, and there are far fewer lines and jokes than those remembered by the old-timers. However, Spielberg's traditionally precise direction, great cast, and entertaining, charismatic characters are still present. Last but not least, there is John Williams' music with its famous theme, which has become the signature of the entire series. For a long time, I believed that this movie "must" be impressive for anyone who hasn't forgotten their childhood and adolescence associated with dreams of romantic adventures. Then, through my children, I became acquainted with the perspective of the new generation and experienced disillusionment. For them, the world of Indiana Jones was only tolerable, as they looked for their favorite heroes elsewhere. Overall impression: 75%.
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Raiders of the Lost Ark was and will probably remain the best adventure movie. No wonder, when two of the most ingenious and most talented filmmakers of their era, Steven Spielberg and George Lucas, stood behind its inception. They created the character of Indiana Jones, a slightly unorthodox archeologist who went down in history in a short time. First we meet him in 1936 when he is commissioned by the US to find the mythical Ark of the Covenant which Adolf Hitler, obsessed by the occult, is desperate to acquire. The first part of the Jones Trilogy is without doubt the best. The mystical powers of the Ark, along with the enrapturing music by Williams manages to evoke fear of the unknown even now after so many years. The ending in the warehouse has an indescribable atmosphere that makes your hair stand on end.
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