Directed by:
Steven SpielbergScreenplay:
Lawrence KasdanCinematography:
Douglas SlocombeComposer:
John WilliamsCast:
Harrison Ford, Karen Allen, John Rhys-Davies, Paul Freeman, Ronald Lacey, Wolf Kahler, Alfred Molina, Denholm Elliott, Anthony Higgins, Frank Marshall (more)VOD (5)
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Archeologist and university professor Indiana Jones must retrieve the mythic Lost Ark of the Covenant before it gets into the hands of Adolf Hitler who plans on using its power to guarantee his global conquest. (official distributor synopsis)
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Reviews (13)
I was lucky enough to see this film for the first time as a little kid at the Czech premiere in a completely packed cinema (people were sitting on the stairs), during the deep totalitarian era, when everybody was happy to see something other than a Soviet film (despite the many years of delay). The audience togetherness and the incredible burst of laughter of the whole cinema during Indy's duel with the swordsman is something I will never forget. Beautiful fun.
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I didn't get to the first Indy adventure until 42 long years after the film's premiere, and my average rating is based on that. I didn't grow up on Spielberg's film, nor do I have a nostalgic attachment to it, and now that I've seen it for the very first time, I have to say that the ravages of time are quite visible. It's most noticeable in the special effects scenes, which is understandable given the year it was made, but the same can't be said for the action and fight scenes, which look laughable (in the negative sense) to the point of being artificial. The scene with the snake's lair or the final confrontation with the Ark of the Covenant had a solid atmosphere, I don't deny that, but for most of the film I felt like I was watching some kind of still undeveloped Indiana Jones prototype.
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During its filming, it was undoubtedly a groundbreaking film that redefined the genre and became iconic. It is possibly only surpassed by Pulp Fiction in terms of the number of imitations and copycats. Today, signs of wear and tear are apparent - the special effects have aged, the pace is weaker compared to the subsequent films, and there are far fewer lines and jokes than those remembered by the old-timers. However, Spielberg's traditionally precise direction, great cast, and entertaining, charismatic characters are still present. Last but not least, there is John Williams' music with its famous theme, which has become the signature of the entire series. For a long time, I believed that this movie "must" be impressive for anyone who hasn't forgotten their childhood and adolescence associated with dreams of romantic adventures. Then, through my children, I became acquainted with the perspective of the new generation and experienced disillusionment. For them, the world of Indiana Jones was only tolerable, as they looked for their favorite heroes elsewhere. Overall impression: 75%.
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The film that forever changed the adventure genre and added more mystery to it than ever before in this first installment. However, even after many, many screenings, I still have a problem with its restrained pace and I will never include it in the group of the best films in history. Not that Harrison Ford's star doesn't shine like never before, but for me both Raiders of the Lost Ark and the later Indiana Jones and the Temple of Doom will always be mostly warm-up acts for Indiana Jones and the Last Crusade. That doesn't change the fact that Indy is one of the most charismatic and likable movie heroes.
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Anyone who doesn't take this brilliant ride through the history of adventure and stylistic tropes as an absolute gem is ripe for a psychiatrist. Spielberg and Lucas created a new form of entertainment that, with any luck, won't get old even after 1000 years. An example of a fully effective application of outdated genres and references to a dominant and entertaining filmmaking style, a playful and engaging combination of myth with real thematic background. Excellent music and camera, an awesome Harrison Ford and very possibility the most iconic character in cinema history, and so on, and so on…
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