Directed by:
Zack SnyderScreenplay:
Chris TerrioCinematography:
Fabian WagnerComposer:
Tom HolkenborgCast:
Ben Affleck, Henry Cavill, Amy Adams, Gal Gadot, Ray Fisher, Jason Momoa, Ezra Miller, Willem Dafoe, Jesse Eisenberg, Jeremy Irons, Diane Lane, Connie Nielsen (more)VOD (4)
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In Zack Snyder Justice League, determined to ensure Superman’s (Henry Cavill) ultimate sacrifice was not in vain, Bruce Wayne (Ben Affleck) aligns forces with Diana Prince (Gal Gadot) with plans to recruit a team of metahumans to protect the world from an approaching threat of catastrophic proportions. The task proves more difficult than Bruce imagined, as each of the recruits must face the demons of their own past to transcend that which has held them back, allowing them to come together, finally forming an unprecedented league of heroes. Now united, Batman, Wonder Woman, Aquaman (Jason Momoa), Cyborg (Ray Fisher) and The Flash (Ezra Miller) may be too late to save the planet from Steppewolf, Desaad and Darkseid and their dreadful intentions. (Warner Bros. Home Entertainment)
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Reviews (13)
I was curious and I was hoping it would turn out well. It is probably impossible to say that I had 100% faith in it. But the result exceeded all expectations, because Zack Snyder's Justice League is a completely different film, much better in every way. It doesn’t build on the fateful atmosphere of Batman vs Superman only at the beginning, but instead does it for four hours thanks to a lot of added runtime that has given many characters more space and meaning, also thanks to a lot of scenes (and especially the bad dialogues in them) that have disappeared. Indeed, everything that made me pause in the original film, which was illogical, concise and unexplained, abbreviated or inappropriate, is now either complete, reworked and explained to satisfaction, or removed. The worst attempts at adolescent humor have disappeared, the unsuitable color atmosphere has disappeared, the villain has motivation, the Justice League is no longer a hastily convened gang that has childish arguments... The change to the awakening of Superman is nicely visible, which was something inevitable in the original film that were waiting for from the beginning (and still it was bad, and I'm not even talking about barren scenes with Lois saying things like "You smell good", or “that itches"), while here it is the saving grace of an already functioning League, which is born logically, gradually, and whose realization and meaning feel different. Better. All this is supported and amplified by Holkenborg's music, which gives the preserved scenes a completely different dimension (nothing against Danny Elfman, because his music was again one of the best components last time), and in the end I was extremely sorry that the DC film universe has already unfortunately most likely been written off, and that we will probably only return to it in Flash's film, because after Zack Snyder's Justice League there remains great potential and plenty of ways to go. An amazing superhero film.___P.S. I didn't quite understand the 4:3 picture format at all, but it didn't take long for me to forget about it.
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In a situation where I expected everything or nothing, I end up again at an average. And it annoys me the strange instant trend of making Joss Whedon an incapable fumbler, who doesn't even get credit for the Avengers. The recent king of geeks is suddenly seen as an amateur, which is a shortsighted and consequently cowardly opinion. "Josstice" League might not have been a spectacular flick, but coming to someone else's project and piecing it together into a completely different result in a tight timeframe? The fact that a weaker blockbuster emerged from the movie is actually quite a miracle. And even more so, that's how it seems to me now. The reason is that, on the contrary, Zack Snyder, at a different time and with the support of his toxic cult, created a colossus that, due to the inclusion of originally unplanned characters, is not what it was supposed to be years ago, and that – probably the most decisive blow – gives a significantly different impression than the 2017 version. Really, if someone considers a theatrical cut unwatchable trash and they're talking about this one as if it's the experience of the year, then they either don't see the obvious or they had a clear opinion long before watching it. Because every other line is still "motherbox", Wonder Woman and Aquaman are once again underused attractions, Flash saves the majority again, and the outcome begins and ends with Superman. I see progress in his scenes, not necessarily because of the reskin, but because of the scenes that slightly get under your skin even without words and partly justify the excessive length. In the new version, it's at least visible that the idea with the "standard Slavic family" was a foolish mistake, but what do we get instead? After the rumors that Cyborg is the true heart of the movie, I can only shake my head in the end, because once again, he is desperately excessive, which is now more noticeable in more of his scenes. On the other hand, more Superman is always good, but altogether it's always just a few generic minutes of the same, without any coherent whole. A few episodes of a series combined into one mess. And as much as I don't want to offend anyone, because I mean no harm, I have to say one thing. Zack Snyder has gone mad. I don't know if it's because of his personal tragedy or the presumed power of his creation cemented by social media, but all his directorial decisions are either strange or downright nonsensical. Four hours, when a lot of scenes just repeat or vary what we've already seen? The IMAX format, when we know it's for streaming and not for the cinema? The black and white version, in which only fire can be distinguished by the human eye? And finally, the biggest disaster – the dream epilogue. Visually unconvincing, completely unfitting to the plot, and with the participation of the dreadfully terrible Joker, even more disturbing. Right here, the ambition of the creators flew to the highest heights, just to clang the loudest. And this is not about personal preferences, but about facts visible at first sight. I don't insist that they should just copy the Marvel model, but in this case, DC did exactly that and their four-times speed was never more evident. In the overall picture, it's the same as if the neighbors had come up with Avengers: Infinity War and Avengers: Endgame when in previous years they had only released the first Iron Man, the first Guardians of the Galaxy, and Captain America: Civil War. And for that precise reason, I was repeatedly thrilled and moved by the Avengers, whereas here the emotions only resonate with Flash (mainly because Ezra Miller is perfectly suited to the role) and (with all due respect) repeatedly with Superman, and not just because Henry Cavill is even more of a statuesque Kal-El than ever before. The rest is held together by the strength of the actors or the opulent action, but there's not really any heart. Just beloved characters, sadly often condemned to being just action figures.
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Four years of annoying whining by teenage fanboys turned into a four-hour long comic book flick packed with a digital mess and an ugly style, and with heroes that are so cringe-worthy that it’s almost embarrassing. The only good thing is that I don’t remember anything about the original shite (Whedon’s cut), so I could take Snyder's cut as a fully new experience. What should be acknowledged is that at least the story doesn’t have any narrative gaps – that’s the only thing I remember from the original version: that it was very rushed and senseless as a result; Snyder's version is certainly not rushed. The problems for me remain: the characters are not even a bit likeable and the moment things go from the realistic interiors and exteriors to CGI action set-pieces what we get is an aesthetic holocaust. That’s something that hasn’t change from last time. That said, it’s nice to make people happy, especially in times like these, and if Snyder's cut fulfilled that goal, I’ve got nothing against it. Though I’d wager that 99% of the people that will like it already know it before watching it.
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Snyder's comic book dark vision! I honestly didn't believe Zack Snyder could do it, but after Justice League, he's definitely repaired his reputation. I'm not going to lie, I wasn't looking forward to it and I suspected I would slag it, but in the end it's surprisingly good and the thing I feared the most (the fact that I would have to sit through two hours I already knew and didn't care much about) was proven wrong, and I found myself wondering quite often whether a scene was new or an old one, which is probably a plus. At first I was bothered by the 4:3 format because I’m not quite used to it, let along for four hours, so in that respect the film is a bit of a challenge. Fortunately, there are four epic climaxes every hour, so the time passes very quickly, the characters get more space (Flash is excellent with his jokes and slow motion reminiscent of the best of Quicksilver), the action is epic and pleasantly brutal. I really liked the first new featuring Zeus and Ares appeared, that one had balls. I was a a little disappointed by the entrance of Superman, somewhere after three hours and he probably had the least amount of space of all of the characters, and at times I wondered where Batman was at all 😃 But overall it’s more sweeping and compact, the story and the characters fit together better, and thanks to the decent action and awesome music it's a solid dark comic book movie that I won't be repeating, but I had an unexpectedly great experience. 8/10.
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An uncompromising, sprawling comic book colossus. This time, Snyder arranged for the white collars to fail big time. The movie isn’t perfect, a little creaky here and there (Ezra Miller is awful in the role of Flash), but as a whole it works great. The dark tone is consistent with the two preceding pictures: a somber atmosphere, good character motivation and the action scenes are superb. Mainly, the baddies are not there just for a decoration, but there are motives for their behavior. Theatrical soliloquies, heroic entrances, a thunderous soundtrack. I’m happy. Maybe HBO will pay for the sequel too.
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