![all posters](http://image.pmgstatic.com/cache/resized/w140/files/images/film/posters/160/622/160622981_66b239.jpg)
Directed by:
Karel SteklýScreenplay:
Karel SteklýCinematography:
František UldrichComposer:
Jaromír KlempířCast:
Svatopluk Matyáš, Helga Čočková, Oldo Hlaváček, Helena Blehárová, Miroslav Homola, Zdena Hadrbolcová, Eduard Dubský, Jiří Lír, Slávka Budínová (more)Plots(1)
Like other normalizing crazy-comedies, Hroch is also situated in an unknown country, where supernatural phenomena take place. Here, a hippopotamus in the zoo swallows an official called Hroch (Hippo), who lives in the animal's abdominal cavity and communicates with the outside. The obscure and purposeful flop contains many allusions to the events of 1968 and, despite a cautiously lukewarm reception by critics at the time, it earned director Karel Steklý the National Artist title. It perfectly describes the stifling greyness of the incipient normalization and the creative impotence of an otherwise quite skilled director. It is probably the most bizarre cinematic attempt to demonstrate servility to the new regime - so bad that the Febiofest anti-prize for Worst Film of the Year was named after it. (Finále Plzeň)
(more)Reviews (2)
I was thinking of giving Hroch at least one star, because it was a shame to waste some of the fairly decent jokes on something so nonsensical. But I changed my mind. A really bad film that failed in almost every way. It couldn't even work as an agitprop, because I can't imagine that the people it was supposed to impress would have understood it at all.
()
I'm not a fan of categorical attributions or condemnations that label something as the best/worst, because these evaluations are always subjective and often out of context. But in this case I’m pretty sure, this is absolutely the most embarrassing film in the history of Czechoslovak cinema. For those interested in film history, it’s the most striking example of the normalization "cinema of oblivion" of the first half of the 1970s. Even the Communist approvers of the time shook their heads in disbelief at this masterpiece, and even though it blatantly referred to the events of the "Prague Spring of 1968" (which must have suited them), withdrew it from the cinemas and did not allow it to be shown on TV, because even for them it was too stupidly absurd and unwatchable. Even as study material, it’s for hardened masochists.
()
Ads