Screenplay:
Mattson TomlinCinematography:
Michael SimmondsComposer:
Joseph TrapaneseCast:
Joseph Gordon-Levitt, Jamie Foxx, Rodrigo Santoro, Machine Gun Kelly, Amy Landecker, Courtney B. Vance, Tait Fletcher, Allen Maldonado, Yoshua Sudarso (more)VOD (1)
Plots(1)
An ex-soldier, a teen and a cop collide in New Orleans as they hunt for the source behind a dangerous new pill that grants users temporary superpowers. (Netflix)
Videos (2)
Reviews (9)
This anticipated Netflix new release is not as good as we all expected, yet I'm quite happy and grateful at the same time, since if it weren't for Netflix, we'd see almost nothing this year. A new drug starts to be distributed in New Orleans that gives people super powers for five minutes. The film has a nice comic book feel to it, and most importantly it's R-rated, with a few gore shots that pleasantly surprised me. Jamie Foxx and Joseph Gordon-Levitt give decent performances, the mutations produced by the drug are delivered in a fun way and I was most impressed by the camouflage ability where the colours change according to the environment and also the ability to bend joints. The action is more in the second half and is filmed very decently, and the pacing suited me, so although more could certainly have been made with the concept, I still had an exceedingly good time. Plus also for the music. Story***, Action****, Humor***, Violence****, Entertainment****, Music****, Visuals****, Atmosphere***, Suspense***. 7/10.
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Project Power is sort of alternative, black version of Push (has it been 11 years already?), with a lot of rapping and talk about oppression. It moves along quite well, but you soon forget the generic storyline, even though the original idea and the world where it all takes place are interesting. Thanks to the great cast and the setting in New Orleans, Project Power is a really good watch. The action scenes are very convincing, but contain nothing new. All said, this is a good TV flick.
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I have sympathy for it because, with its empowerment message, it gets on the nerves of the herd of local brownish bastards. It has balls and an idea, but unfortunately they can't replace the naivety, the cumbersome start and the chaotic editing. Similarly to Extraction, there is no clear villain, and as in the case of every Netflix original, the playwright went on vacation and never returned.
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I really burned myself with this movie choice on a beautiful Saturday afternoon. The preview intrigued me, but in the end, it’s a film that won’t be remembered even a week later. The initial concept caught my interest, but the problem with Project Power is simply the script. I haven’t seen such a straightforward and uninteresting affair in a long time; the film doesn’t attempt to shock in any way and plays it safe, which bothered me a lot. One of the few positives is the cast; Joseph Gordon-Levitt and Jamie Foxx perform at a decent level, though it's nothing groundbreaking (don’t expect Oscar ambitions :D), but they did deliver above standard performances. The main protagonist, however, was a poor fit for the entire concept; her chemistry with the duo didn’t work at all, making it a significant drawback. The action could have salvaged it, it really could have (and there are a few hints of it), but it played such a minor role that it was disappointing. It’s a shame. The special effects were decent, but they didn’t blow me away (for $85 million, the technical aspects are a joke; I’d expect a much lower budget). The music also didn’t improve the overall impression. All in all, it’s the kind of film where the potential was entirely wasted. I give it 50%.
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Jamie Foxx and Joseph Gordon-Levitt are fine actors, but when they have nothing to play, it's tough. Project Power is yet another generic Netflix movie where all the racial quotas were dutifully observed and where at least one scene contained a completely direct critique of racist white behavior. I'm getting tired of it. I'm naturally accepting that racial issues are all the rage these days and that Netflix needs to go with the times. But that contemporary paradigm can't obscure the fact that, from a filmmaking standpoint, this film is subpar in every way, and the appeal to #blacklivesmatter here feels terribly empty.
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