Directed by:
Jan SvěrákScreenplay:
Zdeněk SvěrákCinematography:
Vladimír SmutnýCast:
Ondřej Vetchý, Kryštof Hádek, Tara Fitzgerald, Charles Dance, Oldřich Kaiser, David Novotný, Linda Rybová, Jaromír Dulava, Lukáš Kantor, Radim Fiala (more)VOD (1)
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In 1939, as Hitler and Germany ran roughshod over Eastern Europe, many people escaped, including Czech pilots who joined up with the British Royal Air Force to fight the Nazis. Jan Sverák's moving war drama, DARK BLUE WORLD, details the story of one such group of Czech pilots who are at first laughed at by their British superiors until they prove themselves in the air. Ondrej Vetchy stars as Franta Sláma, the father figure to this motley group of men who desperately want to win back their country. Krystof Hádek plays Karel Vojtísek, Franta's young daredevil protegee who falls in love with an older British woman, Susan (Tara Fitzgerald), whose soldier husband is missing in action. When Franta and Susan grow close, everything threatens to erupt. (official distributor synopsis)
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Reviews (8)
It's a bit of a shame, but I didn't get to see one of our most expensive and spectacular post-revolutionary films until more than two decades after it was made. Dark Blue World is without question an ambitious project with an international cast that easily stands comparison with foreign films of its time. In addition to the solid technical workmanship, Jan Svěrák's film impresses with its story of sincere friendship and (un)reciprocated love, of heroism and betrayal. This goes hand in hand with the amazing performances of basically everyone involved. I liked the interweaving of the two time planes, making the film more complex and less monotonous at the same time. Perhaps only the ending felt a bit rushed. A Czech Pearl Harbor with a much smaller budget but a noticeably better story.
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It is a pity that Zdeněk Svěrák was unable to write a natural and credible love triangle. Dark Blue World lives up to all aspects except the love storyline... Which is a problem, because the tone of the film relies heavily on it. The more problematic the relationship between men and women sounds, the better the mutual friendships that old Mr. Svěrák simply "has in his hand" sound all the better. The transitions from the English battlefields to the communist prison are also excellent, creating a very bitter and sarcastic touch for the film. Maybe Dark Blue World was too ambitious a project... Although, despite all the negatives, it's still a great film.
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After 8 years I finally watched the DVD after many reruns on TV and at the movie theater... and I can definitely say that I love this movie and that it's aging like fine wine. :) There's nothing wrong with it. Period. As an interesting bonus for BBC Narnia fans, Sophie Wilcox appeared as WAAF Jane and that made me very happy too.
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My favorite Czech film, one which matures in an incredible way. That's why I'm sad that it eventually got labeled as a calculated or ingenuine attempt. Jan Svěrák's life's work, even on the tenth screening, still has a powerful impact. Whether it's thanks to the unbeatable performance of the entire male ensemble or the touching and precisely targeted music from Ondřej Soukup. I will continue to be moved or trembling in the Dark Blue World many times more.
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The intention of screenwriter Zdeněk Svěrák to pay tribute to our airmen in the service of the RAF is very commendable. On the other hand, his calculated touches to the script are not very praiseworthy. "I'll put in the girl’s sad eyes, the Yanks will like that. A little sentimentality doesn't hurt either, they like to cry." When Jan Svěrák accepted the Oscar for Kolya, he promised to bring a little brother to the golden bald man. I'm sure he counted on it, but it didn't happen. In truth, he wouldn't have deserved it for Dark Blue World. He did devote five years of his life to it, an immeasurable effort, but the love story line plays too much on emotions and the scenes from the communist prisoner camp are not very convincing. Despite my reservations, I have to admit that the director made his money go very far. It is a paradox that the tribute to our airmen was not paid for by their native country, but that it was overwhelmingly financed by a company from the country the Czech airmen fought against.
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