Directed by:
Nicolas Winding RefnCinematography:
Larry SmithCast:
John Turturro, Deborah Kara Unger, James Remar, William Allen Young, Amanda Ooms, Nadia Litz, Liv Corfixen, Robert Huculak, Gene Davis, Mark Houghton (more)Plots(1)
When his wife is killed in a seemingly random incident, Harry, prompted by mysterious visions, journeys to discover the true circumstances surrounding her murder (official distributor synopsis)
Reviews (4)
Winding Refn style, oozing from every shot. An unusual story about revenge (?) is presented in dream sequences that are up to the viewer to interpret. You could say that this is almost a Lynchean work, but Lynch is just that much less comprehendible. Otherwise great Turturro in a very unusual role. Almost tangible suspense and minimalistic music of Brian Eno make this picture a must-see for movie buffs. I am not a murderer.
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With its slow, explorative direction and scarce dialogue Fear X is an alternative thriller for perceptive viewers. John Turturro plays a pure, wounded and harmless protagonist who’s trapped in emotional turmoil versus the cruel world of power and injustice. Turturro’s acting performance is half of this film, the other is Refn’s unique optics.
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A fantastically made mysterious thriller with a perfect depressive atmosphere. Some of the scenes have so much tension that it’s almost tangible. That this film follows David Lynch’s model and can’t be exactly understood, that’s another thing… In most films like this, the trickiness can be attributed to an unreliable narrator, which here is a bit of a problem because everything we see is told from the point of view of the main character. Personally, I feel that this is to some extent the irrationalisation of a rational detective investigation through the rationalisation of the irrational ideas of a deranged “detective”. As a result, the shifts in the investigation take place randomly and related events in the plot are lacking a logic coherence. But who knows… Either way, it was nice to watch.
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That was another misstep. Supposedly an existential thriller. Breaking news, existentialism is based on having to stare at a wall in mandatory silence for two minutes before anyone introduces themselves. It's a living hell in places. By the time you feels like your prayers have been answered and some dialogue comes in, even that drags on like a cancer. But don't worry, you won’t learn anything from it. It's really brutal. Although it’s not lacking in atmosphere, so two stars is going to have to be enough.
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