Directed by:
Tobias LindholmScreenplay:
Tobias LindholmCinematography:
Magnus Nordenhof JønckComposer:
Rune Tonsgaard SørensenCast:
Søren Malling, Pilou Asbæk, Pernilla August, Rolf Lassgård, Laura Christensen, Dulfi Al-Jabouri, Hans Henrik Clemensen, Charlotte Munck, Henrik Birch (more)Episodes(6)
-
Dag 1 (E01)
-
Det vi ved, og det vi antager (E02)
-
Jagten (E03)
-
1280 meter (E04)
-
Et helt menneske (E05)
-
In dubio pre reo (E06)
Plots(1)
Six-part Danish crime drama starring Søren Malling as Jens Moller, the head of Copenhagen's Police Homicide unit, responsible for leading the case into the murder of Swedish journalist Kim Wall. As the team carry out their investigation Jens gets to know Kim's parents Ingrid and Joachim (Pernilla August and Rolf Lassgård) and does all he can to ensure that the mystery of her death is solved and that justice can be served to give them closure and an opportunity to grieve. (Dazzler Media)
(more)Reviews of this series by the user Necrotongue (7)
The Investigation (2020)
This Danish-Swedish collaboration took me by surprise and, in a way, left me amazed. It might be the first time I've seen a murder series where, throughout all six episodes, I didn't catch a glimpse of the killer or the victim's body. In a departure from their usual style, the Scandinavians didn't go for the shock/disgust/thrill factor with the condition of the victim's remains, nor did they put the suspect/offender in the spotlight. Instead, they zeroed in on the bereaved and those trying to crack the case. I get that the lack of fieldwork and the slow pace might have turned some folks off, but I was satisfied. Once again, I've got to hand it to the creators for their unconventional take on the victim and the survivors. / Lesson learned: Never get into a stranger's car or submarine.
()
Dag 1 (2020) (E01)
What a peculiar show. Despite the first episode's plot lacking action, progressive field investigations, or extensive dialogue, I gave it a solid four stars. Strangely enough, what intrigued me most was the sheer number of phone calls made. It might sound odd, but I was immediately drawn into the story, and I couldn't help but notice that the Danes/Swedes effortlessly achieved what creators in southern European countries often try to mimic (and mostly fail); they effortlessly created the authentic Nordic atmosphere. / Lesson learned: A submarine should submerge in a controlled manner. If it doesn't, it's a problem.
()
Det vi ved, og det vi antager (2020) (E02)
I can't recall ever watching a murder investigation series where the victim's body doesn't appear after two episodes, and I don't get a glimpse of a suspect either. It's an interesting approach. Although, of course, I know how the whole case ended (it wasn't long ago), it doesn't change the fact that the series creators won me over. They portrayed the work of investigators in a completely sober manner, providing the viewer with a look into their ant-like work, which they had to perform to slowly piece together the mosaic of evidence, one stone at a time. I've already mentioned the great atmosphere, and it's precisely that, combined with a well-developed plot, that makes this show work. / Lesson learned: A thorough investigator turns every stone to see what lies beneath it.
()
Jagten (2020) (E03)
The reason why I find this show intriguing is precisely because its creators took such a realistic approach. The suspect hasn't been seen by the viewer, and the discovered remains haven't been showcased on polished stainless steel under the sharp light of energy-saving fluorescent lamps, yet I don't feel like I'm wasting time. Quite the opposite. In this setup, I sometimes forget that I'm watching a television production and, instead, feel like I'm experiencing it firsthand. It all feels very authentic to me. I'm halfway through the episodes, and it's still excellent. / Lesson learned: It's hard without friends in the right places.
()
1280 meter (2020) (E04)
If this series could have something akin to an action-packed episode, this was it. The fourth episode strongly reminded me of Nineties (TV series) (2022). It's pretty easy to see why. The setting was vastly different, but everything hinged on the dedicated work of the divers in both cases. While the depth of the dive complicated the situation for the Orlice killers, the Danes grappled with currents and the vastness of the searched area. In both cases, the divers undoubtedly deserved enormous recognition for their invaluable contribution to the investigation. Once again, the creators presented the whole matter in a way that resonated perfectly with me; I would definitely welcome more similarly themed series in the future. / Lesson learned: It's good to know where the wind is blowing from (and where the water is flowing from).
()
Et helt menneske (2020) (E05)
In the latter half of the series, the creators took the action to new heights, with motorboats equipped with rubber boats going at speeds of up to five knots. I wouldn't expect such extremes. But, seriously, I love this storytelling style. The creators don't overly glorify or demonize the suspect; instead, they gradually present evidence, allowing the audience to form their own opinions as the investigation unfolds. This episode delivered a powerful narrative with a strong atmosphere. / Lesson learned: Keep your dark self in check.
()
In dubio pre reo (2020) (E06)
The sixth and final episode maintained the series' high standard of quality. The creators delved beneath the surface to concentrate on concluding the entire case and presenting it in court. What surprised and truly impressed me again was the unique treatment of the court proceedings. Unlike the victim and the bereaved, the murderer received no attention; no name, no actor in the role, and not even a glimpse in photographs. I applaud and admire this choice. The viewer got all the necessary information, the victims and the bereaved were shown the respect they deserved, and no one gave the jerk any spotlight. / Lesson learned: In Denmark, a murderer apparently doesn't get his moment of fame.
()
Ads