Directed by:
Paul VerhoevenScreenplay:
Joe EszterhasCinematography:
Jan de BontComposer:
Jerry GoldsmithCast:
Michael Douglas, Sharon Stone, George Dzundza, Jeanne Tripplehorn, Denis Arndt, Leilani Sarelle, Bruce A. Young, Chelcie Ross, Dorothy Malone, Wayne Knight (more)VOD (5)
Plots(1)
Michael Douglas stars as Nick Curran, a tough but vulnerable detective. Sharon Stone co-stars as Catherine Tramell, a cold, calculating, and beautiful novelist with an insatiable sexual appetite. Catherine becomes a prime suspect when her boyfriend is brutally murdered - a crime she described in her latest novel. Obsessed with cracking the case, Nick descends into San Francisco's forbidden underground where suspicions mount, bodies fall, and he finds within himself an instinct more basic than survival. (official distributor synopsis)
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Reviews (7)
I didn't expect the film to have the same effect on me as it did almost thirty years ago, but it did. Even though I obviously couldn't expect a moment of surprise, the suspense still worked perfectly because the creators were able to create an awesome atmosphere on which time left no trace. Erotic scenes didn't look cheap and were essential to the plot. Many a contemporary filmmaker could learn from that. A lot of movies and series would be shorter. Anyway, the story was great, Michael Douglas was excellent as always, and I also liked the performance of Sharon Stone, and I’m not exactly a fan of hers.
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A classic in the field of chilling thrillers. The actors spark off of one another; the touch of eroticism works; the plot is suspenseful; Verhoeven adds a pinch of controversy... Despite all of the above, however, one cannot help feeling that the movie has lost some of its punch over time. Today, Basic Instinct is no longer the sensation that it once was at the time of its release.
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An ego game, with its endless allusions, confusions, and blending of identities, would normally call for a far more subtle approach, but not so with Verhoeven and his naturalistic approach to all physicality combined with his resignation to human character (a value he commendably never stepped out of throughout his life). It's a bit of a miracle that it works and that it works this well. My guess is that the chameleon-like Sharon Stone and the wild jungles of 1990s San Francisco are mostly to blame.
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The setup is great, Douglas and Stone's characters are excellent, and there's incredible chemistry between them, just the right kind of cold toughness. These two carry the film all the way through, even though the ending feels rushed, or rather, you don't feel like you've watched something that's truly well and exceptionally concluded for two hours. But some of the scenes are legendary. Yeah, especially that one.
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This time it was my turn to choose the romantic movie for Mayday. So, after 50 Shades of Grey, why not reach out for a classic. Douglas is at the peak of his acting form, Stone in her best physical form. Fantastic atmosphere, awesome lines. Verhoven’s explicit and bloody stylization made me long for the old days. First class music. Let’s remember Jerry Goldsmith.
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