Starship Troopers

Verhoeven doesn’t mess around much. Starship Troopers was a commercial flop in the US, the Americans found no sympathy for the satirical undertones of the fascistic depiction of the human society of the future and the naturalistic gore scenes. When I went to see it, there was a little girl and her mom sitting next to me. The little girl loved it at first, the story unfolded like a sort of Beverly Hills 90210 from the future. Gradually, however, Verhoven's creepiness began to be revealed and the little girl and her mother couldn't stand it and ran away from the cinema. I, on the other hand, was in my element. State-controlled news and army recruitment, as if cut from the documentaries of the Communist era. Kindergarten children trampling little bugs to the enthusiastic applause of the teacher, it was like seeing our peasants exterminating the American potato beetle in the 1950s. The cerebral elite in long black coats, looking like Gestapo, a female lead dying in pain and with blood in her teeth – tell me, how many times have you seen a female lead die like that in a mainstream film? No, I'm not a pervert who revels in that, I just love Verhoeven's lack of inhibition, which he has demonstrated so many times before and which, in the case of this film, makes for a hard-to-digest affair that can't possibly have a chance at wider commercial appeal. And I get the feeling that Verhoeven doesn't give a toss, and that's what I like about him. Arms, legs and heads fly through the air with such frequency that it must have given the censors a hard time. And on top of that, those amazing visual effects. No, this is not mass entertainment, this is a cult-classic for weirdos. (05/11/2003)

An incredibly entertaining parody of everything that stood in Paul Verhoeven's way at that time. Brilliant internet interludes, brutal and unprecedented bloody action scenes that are almost flawless, likeable protagonists, excellent one-liners, Michael Ironside as the ultimate badass, and fantastic looking bugs. This is how an action-packed masterpiece should look, skillfully alternating suspense with light-heartedness. I admire the director, he truly wasn't afraid to use large amounts of blood and scored with that. If nothing else, even the skeptics will remember this movie because of all the severed limbs and heads. Brilliant fun and excellent score by Basil Poledouris. (05/07/2005)

One of the best anti-war films ever as far as I’m concerned. Shiny happy people brainwashed by propaganda that even Goebbels would envy fight to the last limb against sneaky repulsive bugs. The film's main positives definitely include the direction, excellent costumes whose legacy is crystal clear, the endless enthusiasm of all the soldiers, the comedic propaganda shots with chilling subtext, and the great supporting characters of Clancy Brown and Michael Ironside. Verhoeven failed to disappoint me again. (06/25/2016)

If Paul Verhoeven had actually made the satire that so many of the reviews keep referring to, I would have enjoyed it; and yet the director isn't making fun of multiple genres at once. Instead, he's combining three genres together to occasionally try, sometimes awkwardly, sometimes decently, to engage the viewer. Still, I would like more than just oscillating between awkward dialogue, unimaginative training sequences, and the film's best aspect, namely the well-executed and action-packed fights with the enemy. I would like to delve deeper into the film, and the resolution of whether the main hero ends up with this one or that one, or pondering the different ways bugs can kill you, will never give me that. (08/14/2007)

A beautiful example of how it's possible to make a B-movie with significant depth. And also a demonstration of how critics mostly don't get it. The question is whether Verhoeven really made such a groundbreaking B-movie or if the critics are right. I'd lean more towards the first option because, by the way, even the visual aspect is great, and the battles with the bugs are fantastic. (04/03/2015)