Directed by:
David LeitchScreenplay:
Zak OlkewiczCinematography:
Jonathan SelaComposer:
Dominic LewisCast:
Brad Pitt, Joey King, Aaron Taylor-Johnson, Brian Tyree Henry, Andrew Koji, Hiroyuki Sanada, Michael Shannon, Bad Bunny, Sandra Bullock, Zazie Beetz (more)VOD (4)
Plots(1)
In Bullet Train, Brad Pitt stars as Ladybug, an unlucky assassin determined to do his job peacefully after one too many gigs gone off the rails. Fate, however, may have other plans, as Ladybug's latest mission puts him on a collision course with lethal adversaries from around the globe – all with connected, yet conflicting, objectives – on the world's fastest train...and he's got to figure out how to get off. From the director of Deadpool 2, David Leitch, the end of the line is only the beginning in a wild, non-stop thrill ride through modern-day Japan. (Sony Pictures)
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Reviews (19)
David Leitch and an incredibly awesome ride. I was really looking forward to Bullet Train from the first announcement, it's right down my alley, but my expectations were even exceeded. Leitch hasn't just made a straightforward action ride this time, he's taken something from Tarantino and something from Ritchie, and together he mixed a genre-complex cocktail, one that reminds me of my favorite Kingsman, which the film comes damn close to in its stylishness, over-the-top intelligence, and fierce nature. Brad Pitt is a great choice, and as he's winding down his career, he's picked a terrific film for one of his final projects. He is a hired assassin suffering from bad luck, a very interesting element itself. He is tasked with stealing a briefcase on the world's fastest train, the Shinkanzen – the modern setting of the train itself is also a great asset to the film. But there are other dangerous people on the train, each with different but similar intentions, and their clash is royal fun. Bullet Train has incredible style, insane pacing, well-dosed black humor, a bunch of crazy but original and clever ideas, great actors – every single character here has plenty of room to show off and most of the time has a very impressive flashback background, which I appreciate, and the viewer can form a relationship, both the good and the bad, with each character. The soundtrack is also good, there are a couple of unexpected cameos that are meta. Plot-wise, the film is unexpectedly mature, there are a bunch of solid twists and turns, each better than the previous one; the whole thing is incredibly cleverly interwoven and everything fits together nicely in the end – I have a soft spot for this kind of stuff and on top of that there's great fun R-rated action – the finale is pretty brutal (a train derailment scene that even Emmerich would approve). The last time I had this much fun was with Suicide Squad and Kingsman, all three films have R-rating, proper fun and tremendous style in common. I look forward to going again. Ps: I was really blown away by the water bottle scene – which has its own story here!!! Story 5/5. Action 5/5, Humor 4/5, Violence 4/5, Fun 5/5 Music 4/5, Visuals 5/5, Atmosphere 4/5, Suspense 4/5, Emotion 4/5, Actors 5/5. 10/10.
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Overblown, epileptic postmodernism, or when the director of the most imaginative American action films of the last decade takes on a script that he wants to make into something more than action. The mix of Ritchie, Tarantino and Japanese culture can be seen at every turn, but it works at about half speed.
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I expected a wild and exhilarating ride, but the result is even more frenetic in the cadence of ideas than my boldest imaginations. Whoever says that there is a lack of action must have confused platforms and boarded a train towards Stará Paka. In this Shinkansen, beloved narrative sources and styles alternate, where Kill Bill shakes hands with the more successful work of Guy Ritchie, while insane twists intertwine with absurd bloody splatters reminiscent of the old undertakings by Joel and Ethan Coen. In the end, at several points, I almost raised my hands to applaud with enthusiasm, as certain moments evoked a great euphoria in me thanks to a perfectly fitting cameo or the perfectly fitting soundtrack. The highest rating didn't come at first simply because it is a mix of genres that relies more on inspirations and quotations than on its own contribution, but it doesn't detract from the entertainment value at all, quite the opposite.
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Rather than Tarantino, this is closer to a shabby Ritchie, unfortunately after a slight lobotomy. Too bad about the dumb explanation at the end, too bad about the repetitive dialogues between Tangerine and Lemon, which often weren't actually very funny, even though they tried to be very cool. Ritchie wouldn’t make those mistakes. But, given the director's name, you shouldn’t expect a new John Wick, the full-contact fights don't have that much juice and idea, and I could certainly do without the overdone conclusion with the shinkansen, where I just expected Tom and Jerry to come out of somewhere and start hitting each other with frying pans. But otherwise, the story was brilliantly conceived, it had a surprising twist, it all made sense by the end, and some of the scenes were so incredibly absurd and absurdly plotted that they were actually fine. Interesting postmodernism, which I wouldn't expect from a former stuntman. Of the actors, Aaron Taylor-Johnson shone the brightest, he's walking masculinity with acting talent.
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Overly verbose, long and overly complicated mess... Unbelievable even in the context of wacky comedies. It's nothing like a Guy Ritchie movie, though it wants to be, and it's a shame, mostly because of the impeccable cast, the good directorial ideas, and some really unexpected and funny moments that didn't go to waste or get lost in all that mess.
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