Directed by:
Jordan PeeleScreenplay:
Jordan PeeleCinematography:
Hoyte van HoytemaComposer:
Michael AbelsCast:
Daniel Kaluuya, Keke Palmer, Steven Yeun, Brandon Perea, Michael Wincott, Barbie Ferreira, Terry Notary, Jennifer Lafleur, Andrew Patrick Ralston (more)VOD (4)
Plots(1)
Estranged siblings Em and OJ encounter a strange entity lurking in the sky after they inherit the family horse ranch following their dad's sudden death. (Netflix)
Videos (3)
Reviews (14)
Playful, but without balls and a proper climax. Peele again pretends to amass all the wit in the world for a thrilling finale, but in sum, he just patiently teases and misses the mark. There were a lot of suggestions and I appreciate especially the reference to the history of motion picture and its representative or media function, but I enjoyed the more mysterious and yet more down-to-earth Signs much more.
()
One could easily give in to the temptation to declare Peele the new Tarantino in an attempt to elevate him as one of the most distinctive and unique talents of the contemporary American overground. Except the fundamental difference between the two filmmakers is that Tarantino is a self-regarding nerd who adores the mythology of cinema and fictional heroes, whereas Peele turns to reality, as he is not only a cinephile, but also a creator who reflects on society and the bizarre paradoxes of its apparatuses and status quo. Therefore, his films are not merely sophisticatedly enthusiastic games played with film formulas and eclectic monuments to fringe movies and filmmakers, but biting satires and multi-layered works that can be simultaneously entertaining and chilling. Peele’s third feature-length project is fascinating as a uniquely unpredictable narrative that builds a stunning monument to cinema and its pioneers on a foundation of mystery and contact with something alien. In his equivalent of Once Upon a Time in Hollywood, Peele doesn’t go the way of Tarantino’s illusory fiction and enchanted, adoring pathos, but creates a film that consciously works with paradoxes and contradictions. Nope is thus both a sci-fi movie and a western dealing with the bitterness of the entertainment industry, which catches itself in its own trap as it grooms viewers who demand ever newer and more spectacular attractions. It thus seems inevitable that this changing industry should leave its old strivers and pioneers in the dust. Peele pays homage to the obsession with the perfect shot, but he paradoxically does so with the background of a time when that perfection is already artificial and created without risk thanks to computer-generated effects and digital post-production. What is most surprising about Nope is that, though it deals with old Hollywood and its magic and pathos, it does not address tearful old men, but conveys that ethos to the younger generation weaned on YouTube and hanging around on social networks every day.
()
For two thirds the film is a compelling, engrossing and carefully constructed horror-thriller mystery that kept me engaged as the characters struggled to get to the bottom of the mystery. This part of Nope, which I was very pleased with, culminated in a magnificent night scene with "blood rain" that made me glow with bliss and consider awarding five star to a horror flick for the first time in a long time. But, as you can see, I didn’t go further than three. Because the film then turns into an action charade, where you don't care about the characters and just try to catch the design of the weird contraption and figure out if you like it or not. And what shocked me above all is that it doesn't actually come to anything. After his previous two films, you'd expect Jordan Peele to be ... smarter than that? Us may have been logically leaky, but I found its social references were very stimulating (and that goes twofold for Get Out). There's nothing like that in Nope, or I don't see it there at first. Many people, often dismissively, refer to Peele as the king of "elevated horror", but this is, in the end, more or less an ordinary genre film. In the space of half an hour, the film shoots two or three banal ideas (what people are willing to risk for fame and success / the fascination with tragedy / the stupid notion that man can tame everything), which it then repeats to the point of foolishness, but doesn't take them anywhere. I don't want to sound overly critical, Nope is definitely nice to look at, it has a number of impressive scenes and it's certainly a good film to see in the cinema, but after the excellent first two acts I can't help feeling disappointed at the end.
()
Best UFO movie in decade? Nope. Actually god damn YES! Jordan Peele is back and will once again divide audiences into two camps, though this time he'll get a bigger ovation than he did with the overrated Us thanks to the awesome material. Peele is a bit unconventional here, the social undertones aren’t as intense as in his previous films, there is a fair amount of humour and there are considerably fewer symbols and metaphors, yet he's made a unique and impressive genre film that again isn't as horror as it could have been, but I'm very pleased. Nope is definitely a horror film that manages to win the audience over with its strong cinematic aspects, and it looks really beautiful, especially in IMAX. The cinematography by Hoytema is a masterpiece in itself, some of the shots are breathtaking (and that's not something you see often in the horror genre), and the casting is great. Kaluuya is good, but next to Keke Palmer he seemed slightly like a shadow, because here she gives perhaps the strongest female performance in 15 years (emotions, screaming, speech, voice), an absolute acting tour-de-force from an unknown actress, whom I immediately want to see somewhere else. The music is well chosen and especially the atmosphere works fantastically, it's very uncomfortable, creepy, weird and unnerving in places. There are quite a few exciting and spectacular horror scenes that I will remember in the future (The chimp, a house covered in blood, a horse's head in a car, the digestive process of the villain and the screaming of the dead still ring in my ears). I'm perhaps only the final act away from a full score, which ironically is weaker than the previous ones (most people complain about the action-packed finale, but I wouldn't call it so, you can immediately imagine a spectacular Secret War style alien massacre and it doesn't really happen). I just wasn't sure if I liked the final scene or not, but you can't deny the creativity. Peele will definitely be making horror films in the future and I'd quite like to see a slasher or pure ghost story from him. Better than Arrival for me. Story 4/5 Humour 2/5 Violence 3/5 Fun 4/5 Music 4/5 Visuals 5/5 Atmosphere 4/5 Suspense 4/5 Emotion 4/5 Actors 5/5 Total: 8/10.
()
NOPE, or Not Of Planet Earth, arrived and with it a Jordan Peele we don't know. Where his previous films, Us and Get Out, relied on a central idea, a social-racial subtext and an attempt to shock, here we get a full-blown sci-fi flick with small overlapping themes (people's fascination with the "spectacles" around them, the quest to tame animals, the domination of nature by predators, the uncompromising Hollywood industry and its treatment of actors and filmmakers as trash, and other themes less visible...). This makes me find it quite amusing that with Us and Get Out conventional viewers grumbled that they wanted a horror film and got social criticism, and here again they grumble that they wanted "classic Jordan" and got science fiction. Whatever, haters gonna hate and they’ll always find an excuse. But about the film itself. The duo of Peele and Daniel Kaluuya are a perfect fit for each other, as they've proven once before, and the same is true here, and the cinematography is great (NOPE is the first horror film to be shot in IMAX format), the sound design is even better and only gives the film its full status in the sci-fi genre. The central idea is admittedly familiar to everyone at its core (UFOs, right?), but it is cleverly differentiated in the details, the rules that are set, and also by the shape of the flying saucer. We discover in the course of the film that it is not actually a classic UFO as we are used to. The first third is a decent start, the second third a complete immersion into the plot and then the final part is an unstoppable, action, blood and tension-packed ride that goes full speed ahead until the end and shows us that Peele knows how to do it. The two-hour running time is not boring at all, the acting is something to behold. I have a small problem with the fact that the trailer promised certain elements that the film shrewdly avoided and as a result not only failed to deliver, but didn't even lean into them at all (I won't spoil specific scenes), but all in all, I'm satisfied. I was looking forward to a "classic Peele", which I didn't get, but in return I was served a spectacular sci-fi flick with an original monster that will please everyone.
()
Ads