Furiosa: A Mad Max Saga

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As the world fell, young Furiosa is snatched from the Green Place of Many Mothers and falls into the hands of a great Biker Horde led by the Warlord Dementus. Sweeping through the Wasteland, they come across the Citadel presided over by The Immortan Joe. While the two Tyrants war for dominance, Furiosa must survive many trials as she puts together the means to find her way home. (Warner Bros. US)

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Reviews (12)

Kaka 

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English George Miller couldn't keep up the fiendish pace a second time. Furiosa is more vivid in plot and tries to be more emotional, but it loses its punch and drive. It's as if Fury Road is a unique movement from the best watch manufactory, where every component is perfectly thought out and crafted in detail, versus a top of the line mass-produced Aussie watch that will work well too and just won't shatter, but the top craftsmanship isn't there anymore. Furiosa copies the best action moments from the first film, but otherwise it doesn't have much to offer. Anya Taylor-Joy is awesome, it’s a shame that we have to wait so long for her. The overwhelming amount of eye-popping digital effects is very disappointing, and they're often blown out of proportion, which is a solid bummer compared to the first one. ()

POMO 

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English The story of Furiosa and her anticipated revenge, with more looks into the Citadel, is dramaturgically richer than the endless chase in Fury Road. Despite that, it’s not emotional even in the cruellest scenes and hints of feelings. And mainly it doesn’t have Tom Hardy. However, the character of Furiosa, who since childhood has been shaped by violence, inhumanity and filth, is a strong enough draw, the film’s dynamics are incredible from the opening scene and, together with the visuals and the details contained in them, those insane masks and costumes are absolutely amazing. A filmmaking highlight of scenography and creation of an original fantastical world. But I had trouble fully believing Chris Hemsworth as the demented villain. ()

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3DD!3 

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English An excellent flashback to Fury Road. It lacks Max Rockatansky, it lacks the frenetic pace, but the story is more substantial. Furiosa explains the laws of the imagined world. George Miller seems to realize that he skipped over a lot of things and presented them as fact without showing them. He describes a fragile symbiosis that is disrupted by Chris Hemsworth's Dementus, one of the best creations of his career. If it's true that the previous Mad Max was mostly about Furiosa then Furiosa is mostly about the foxy Dementus. He's the one who shows the world turning into an oil-soaked desert. Anya Taylor-Joy is good, but the little girl who plays her when she was young is even better. Weaker music and slightly worse visual effects. Still, very good. ()

Malarkey 

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English George Miller took a nine-year hiatus after Fury Road dabbling in a less exciting romantic fantasy, before returning to deliver one of the best action films in recent years. Furiosa is an absolute blast, albeit different from its predecessor. It tells the epic tale of Furiosa’s relentless quest for revenge in one of the most brutal cinematic worlds ever created. The film oscillates between sheer brutality and absurdity, keeping the audience entertained despite the mind-boggling moments that seem to defy imagination. At times, it felt like watching a Tarantino flick on steroids, especially during the meticulously planned revenge in the second half. Chris Hemsworth shines in his role, clearly having a blast. Anya Taylor-Joy and her younger counterpart Alyla Browne are also fantastic, but it was Tom Burke who unexpectedly stood out to me in this harsh world. Each actor contributes to a story that is gritty, thrilling, and occasionally illogical, yet not as shocking as Fury Road. I have a feeling this will be one of the standout films of 2024. ()

DaViD´82 

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English After nine years, the spin-off prequel to the fourth installment of the established franchise from a nearly 80-year-old geezer... If it weren't for the Mad Max franchise and the old-timer George Miller, one would have expected a mess. But that series is Mad Max and that old man is the visionary Miller, or once again, a peculiar, lavish, audio-visually polished spectacle, brimming with ideas in literally every scene. My only criticism is that the running time is too (especially in one particular chapter). It teeters on the edge of "more of the same" vs. "more room for characters and world building but not more of the same". Which isn't necessarily a criticism, but a more pronounced lean to one side might not be out of place. Either way, they are just minor details. ()

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