Directed by:
Samuel BodinScreenplay:
Chris Thomas DevlinCinematography:
Philip LozanoComposer:
Sofia HultquistCast:
Lizzy Caplan, Antony Starr, Cleopatra Coleman, Woody Norman, Anton Kottas, Aleksandra Dragova, Jay Rincon, Luke Busey, Ellen Dubin, Steffanie SampsonVOD (4)
Plots(1)
Eight-year-old Peter is plagued by a mysterious, constant tap, tap from inside his bedroom wall — a tapping that his parents insist is all in his imagination. As Peter’s fear intensifies, he believes that his parents could be hiding a terrible, dangerous secret and questions their trust. And for a child, what could be more frightening than that? (Lionsgate US)
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Reviews (8)
I expected much more from Cobweb. The reviews had me excited about a great film, but honestly, I was slightly disappointed. But let’s start from the beginning. In terms of audiovisual quality, the film is top-notch. I can’t fault it in this regard. The cast also shines (Antony Starr is truly incredible... What he can convey through just his facial expressions is remarkable). However, I find the central plot to be a problem; it didn’t captivate me as much. The film builds up beautifully, but the ending felt like it fizzled out. The creators chose to wrap up this mysterious film with a cheap slaughter without any real creativity. It’s a shame because there was definitely potential for something more polished. For me, it’s a 6/10.
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Once again, we have delinquent youth behind bars. They should get a haircut and find a job. A slightly offbeat mother describes her son, whose young actor charmingly poorly tries to act being frightened, as someone with a "great, big, beautiful imagination." This is something the creators here lacked, and when the hairy creature with suction cups appears in all its glory, it becomes fully apparent. The result is a Halloween pumpkin that’s quite hollowed out and carved according to established procedures.
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It’s a shame that the evil is so divorced from reality due to its physical abilities and movements, while the film itself otherwise tries to remain firmly rooted in reality. And it’s also a shame about all of the strange and ill-conceived moments in the characters’ behavior and generally how they are set in the course of the scenes. Because otherwise, this “girl under the stairs from Holdenfield” very interestingly plays with genre clichés and is capable of surprising and delighting the viewer with delicious cinematography, editing and soundtrack treats.
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Well, this was a surprise! I went into this expecting to be let down, as I often am with horror movies, but I ended up genuinely enjoying it. Sure, I wouldn’t have minded a bit more gruesome detail. But I get it — the filmmakers were going for atmosphere over gore, and they mostly nailed it. The tension was solid, the young lead was tolerable, and it was great to see Lizzy Caplan and Antony Starr again. The main villain definitely had a bit of that Eastern horror vibe, but it worked for me. After a long time, I found myself actually enjoying a horror film, and I had no hesitation in giving it four stars. / Lesson learned: When you need to demolish something, get some strong Black women with fireplace pokers.
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Except for the two luxurious scares (which had already been seen in the trailer), it wasn't such a WOW movie. It had a rather slow start, a good but somewhat predictable twist, and the ending didn't completely dazzle me either. Nevertheless, it's a decent horror movie, and I don't regret going to see it in the cinema.
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