Directed by:
Darren AronofskyCinematography:
Matthew LibatiqueComposer:
Rob SimonsenCast:
Brendan Fraser, Sadie Sink, Hong Chau, Ty Simpkins, Samantha Morton, Sathya Sridharan, Huck MilnerVOD (5)
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From Darren Aronofsky comes The Whale, the story of a reclusive English teacher who attempts to reconnect with his estranged teenage daughter. (A24)
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Reviews (15)
Knowing Darren Aronofsky is directing, you can expect pure human suffering. This film is emotionally intense but impossible to watch without being completely absorbed from the start. Brendan Fraser is nearly unrecognizable and delivers a performance that's nothing short of divine. The Whale is a prime example of a film designed to wring every emotion out of you. When a movie can do that, you're guaranteed an unforgettable experience.
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It makes me happy whenever a movie draws me in so perfectly that I forget it's just a movie. And this one did it extremely well. I know Brendan Fraser as more of a comedic actor, but he convinced me that he deserves an award for his performance here. I consider the Oscars highly politically influenced, but if it makes anyone happy, let it be Brendan Fraser. Fans of more action-packed spectacles might not enjoy this film, but I really immersed myself in the story and enjoyed watching the protagonist whose suicide was agonizingly slow, as well as all the secondary, undernourished characters. I really enjoyed the character of Liz, who was smaller in size but 10 feet tall at heart, and Sadie Sink as the bitchy Ellie. Despite being profound, the film did not dissolve into boring philosophizing about the transience of human life. On the contrary, the creators spiced it up with a pizza night that turned into an evening with Mr. Creosote, and I couldn't believe my eyes. I couldn't help but notice that the Heimlich maneuver has evolved, and I'm glad that there was space for occasional flashes of subtle humor. / "You say you're sorry one more time, I will shove a knife right into you, I swear to god!" "Go ahead, what's it gonna do? My internal organs are two feet in, at least." / Lesson learned: If you decide to commit suicide, be aware that some methods are time-consuming and financially demanding. 5*-
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In my opinion, The Whale is Aronofsky's second best film, after The Fountain. It isn’t nasty like Requiem for a Dream, nor is it bloated like Black Swan or weepy and formulaic like Wrestler (although it has a lot in common with the latter), but this time it just worked. Although the story doesn't really surprise with anything, it's so well written (you can see the theatrical backbone), acted (Brendan Fraser is brilliant, I'm rooting for him) and filmed (we practically don't leave the apartment, but it doesn't matter) that my cautious curiosity turned into enthusiasm pretty quickly. But I must also praise Sadie Sink and Hong Chau, without whom Charlie would not be Charlie, and I must not forget Simonsen's music. I was originally going to give it four stars, but after a couple of days my reservations melted away under the weight (ahem) of all the unexpectedly positive things the film brought.
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In terms of sentimentality and weepiness, Darren Aronofsky takes it to absurd lengths, and while I don't feel that it ever slips into the realms of emotional blackmail, I imagine that many viewers will have a big problem with this. I was able to get over it, mainly thanks to the almost hypnotic performance of the lead actor. Yeah, if there's anything about this movie that really needs to be highlighted and remembered, it's Brendan Fraser. He simply pulls it off on his weight as far as his heart and blood vessels will take him, and the whole film relies on his performance. I was also pleased to see that Aronofsky went for a more civil, intimate and straightforward material and was not as overly pretentious this time as he is wont to be. He could have cut down a bit on the tearfulness, but it's definitely a morbidly fat thumbs up for me.
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If this were a raw last confession of a lost human soul without any pretensions and all sorts of gimmicks, it would be an absolute blast. The Whale shouldn't have been made by the master of allegories, Aronofsky, who combines uncompromising depression with religious motifs, art literature, and strange human creatures that might not be there at all – I was just waiting for parallel universes and other dimensions to appear. Two stars for the phenomenal Brendan Fraser and the moments when the film is exactly the coherent genre composition it should be for the entire runtime and not just a few fragments.
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