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Super spy Orson Fortune and his team of top operatives recruit Hollywood’s biggest movie star, Danny Francesco, to help them on an undercover mission to stop billionaire arms broker Greg Simmonds from selling a deadly new weapons technology that threatens to disrupt the world order. (Lionsgate US)

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Reviews (11)

Gilmour93 

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English Attractive locations, expensive cars and booze, luxurious accessories both living and dead—these are all part of the business card Guy Ritchie could send to Barbara Broccoli if he wanted to. But he doesn’t. He’d rather continue living in his world of picturesque characters, dressing actors in stylish outfits, and promoting barbecue tables of his own design. Even though it all runs at about three-quarters throttle, with dialogues often in the child seat and the author skipping his traditional top-notch opening credits, it still offers solid entertainment. However, let’s admit that it would be less enjoyable without Grant. By the way, if Statham’s top collar button flew off, would filming stop until someone sews it back on? ()

TheEvilTwin 

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English Guy Ritchie is a terribly ambivalent and strange director. His name has been resonating in the film world for the last year for the absolute top of the action genre, Wrath of Man, but now he throws us such a dreadfully average thing as Operation Fortune: Ruse de guerre. And when I say average, I mean literally average in every way. The acting is terribly bland, none of the three stars, Jason Statham, Hugh Grant, and Aubrey Plaza, have iconic roles, they are typical B-movie characters with no interesting traits, and there's only two action sequences towards the end, and they also suck. There's no action, above average fights, shootouts or hand-to-hand combat, and then the story is a despicable template full of bland clichés. And the humour? Zero! The whole film is completely devoid of ideas, effort and any kind of fun. In fact, I have to say that for the first time in a long time, I looked at my watch in the cinema and if I had watched the film at home, I probably wouldn't have finished it. Extremely mediocre crap that I won't remember a week later. And it pisses me all the more because this was spawned by a guy like Ritchie, everyone will compare it to Wrath of Man, and that's the stumbling block that drives the film's rating into drastic below-average territory. All I ask after watching it is WHY. ()

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Lima 

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English It is missing some visual highlight, some memorable scene that would make you want to watch it again. But otherwise it is a pretty solid film, and I could easily see Guy Ritchie as the new Bond director, though he probably doesn't even aspire to that, he's comfortable in the company of those weird underworld folks. Hugh Grant is an excellent sleazeball, Jason Statham is just Jason Statham, the same kind of actor that makes us love him so much, and Aubrey Plaza is a sweetheart when she's not all made up and trying to look sexy (she's really bad at that), but the one that was pleasantly surprised me was Josh Hartnett. I don't understand what messed up the career of this fun and charismatic guy, but hopefully after this and Oppenheimer it will get better. ()

Stanislaus 

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English After the phenomenal The Gentlemen, my expectations for Operation Fortune may have been too high, but I didn't leave the cinema disappointed. Guy Ritchie's latest is a brisk one-watch action flick with some issues when it comes to the script and (black) humour, but it flows nicely in the cinema, and thanks to the regularly dosed action it doesn't get boring. It was good to see Josh Hartnett in action after quite a long time, but the main driving forces are the cruel Jason Statham and the equally sharp Hugh Grant, for whom such roles just tailor-made. In the end, the film neither impresses nor surprises, but it entertains and thrills, and that's what counts. A weaker four stars! ()

3DD!3 

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English A subversive version of Mission Impossible, where they steal a ChatGPT that can launch nukes and point fingers at the Soviets. Unfortunately, it's unexpectedly bland, almost soporific at times without the crazy stunts of Mad Tom. On top of that, some of the villains are Ukrainian, and that’s just not trendy today. The acting is great, Statham is excellent again, only Cary Elwes didn't suit me here. The script, despite some stylish dialogue (or Grant's exquisite final monologue), lacks drive, is muddled and falls short of the typical Ritchie standard. I felt like he got bored during the shooting and tried to finish it quickly so he could get on with The Covenant. ()

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