Directed by:
Billy WilderCinematography:
Charles LangComposer:
Adolph DeutschCast:
Marilyn Monroe, Tony Curtis, Jack Lemmon, George Raft, Pat O'Brien, Joe E. Brown, Nehemiah Persoff, Joan Shawlee, Billy Gray, George E. Stone, Dave Barry (more)VOD (2)
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One of the most beloved films of all time, this sizzling masterpiece by Billy Wilder set a new standard for Hollywood comedy. After witnessing a mob hit, Chicago musicians Joe and Jerry (Tony Curtis and Jack Lemmon, in landmark performances) skip town by donning drag and joining an all-female band en route to Miami. The charm of the group’s singer, Sugar Kane (Marilyn Monroe, at the height of her bombshell powers) leads them ever further into extravagant lies, as Joe assumes the persona of a millionaire to woo her and Jerry’s female alter ego winds up engaged to a tycoon. With a whip-smart script by Wilder and I. A. L. Diamond, and sparking chemistry among its finely tuned cast, Some Like It Hot is as deliriously funny and fresh today as if it had just been made. (Criterion)
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Reviews (10)
I’m not too big on crossdressing, but I do understand that when someone’s life is at stake (especially your own), you need to do whatever it takes. Sax and Bass sold me their fight for their lives really well. The film is professionally made, yet there was a good dose of naivety, which was something I had to appreciate. And most importantly - it was hilarious.
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I don't know why I've avoided this film for so long, having seen the theatrical adaptation of the story. It's a great comedy that just keeps going and going. Tony Curtis and Jack Lemmon are excellent, but Marilyn is really the beautiful adornment that suits it immensely. She’s a beautiful woman, and here she is perhaps the most beautiful.
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The ravages of time have chewed the humorous aspects out of the film quite sharply, but the spirit of the original spectacle still lingers after more than 40 years. The central duo of Lemmon and Curtis act as if their lives depended on it, and their mutual chemistry works absolutely perfectly. Marilyn Monroe may no longer qualify as a "sex-appeal commercial" today, but it must be admitted that the woman had something going for her. The greatest thanks, however, must be directed towards director Billy Wilder, who maintains a consistent pace throughout, combining humorous elements with romantic ones very sparingly. The overall feeling of the film is then, thanks to perfectly chosen exteriors, excellently fitting costumes, and, not least, the work with camera, editing, and lighting, a timeless affair for which it is enough not to be a cynical opponent of "everything old." That final "Nobody's perfect!" contains something more than just a brilliant line written by screenwriters who, while coming up with a "more original" ending, smoked tons of cigarettes and drank liters of whiskey.
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This legendary comedy, directed by Billy Wilder, still retains its wit and humour after half a century. The perfect performances of the main "male" duo Tony Curtis and Jack Lemmon are complemented by the great Marilyn Monroe, who was really pretty. Lots of verbal innuendos, funny moments, catchy music, interesting supporting characters (Osgood), what more could you ask for. In short, "nobody's perfect", but this classic is in many ways the true equivalent of the word perfection.
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A legendary comedy that needs no introduction, as it represents one of the cornerstones of pop culture. It's an exemplary combination of a quality script, a stellar cast, and experienced direction. Overall impression: 90%. My favorite scenes are the ones involving the gangsters arriving at the hotel and the boss's speech to his minions, where he emphasizes that it has been exactly ten years since he was elected to lead this assembly.
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