Directed by:
John WooScreenplay:
John WooCast:
Yun-fat Chow, Danny Lee, Sally Yeh, Paul Chu, Kenneth Tsang, Fui-on Shing, Tommy Wong, Teddy Yip, Chi-wai Huang, Barry Wong, Parkman Wong, Chung Lam (more)Plots(1)
Hong Kong’s preeminent director, John Woo, transforms genres from both the East and the West to create this explosive and masterful action film. Featuring Hong Kong’s greatest star, Chow Yun-fat, as a killer with a conscience, the film is an exquisite dissection of morals in a corrupt society, highlighted with slow-motion sequences of brilliantly choreographed gun battles on the streets of Hong Kong. (Criterion)
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Reviews (8)
Chow Yun-Fat is a great character, his killer Jeffrey has charisma, a conscience and is a darn good shot. It’s not every day that you see the kind of action that we get in Killer. Incredible massacres alternate with moments so emotionally intense that you almost feel sad. In places, the theme of friendship and fate play a much greater role than the action itself and John Woo masterfully combines everything to form this riveting picture.
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I can't help but be impressed by this film. Yes, it's a massacre, no question about it. It also manages to project emotion quite well. But having seen both episodes of A Better Tomorrow, you'd think that this has been here before. It's bloody, no doubt about that, and those slow-motion shots are at their peak here. I'm not completely sold on it, but still, it's a great action flick.
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In a direct comparison, a full class better than Hard Boiled. John Woo replaces the endless (although effective) shootouts with shorter but more impactful fights, with a simple but thankfully strong storyline. Besides, Chow Yun-Fat is better as a tough killer than as a tough cop.
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Another great action classic, which I liked even a little bit more than Hard Boiled, but a little bit less than Full Contact, but all of them star the great Chow Yun-Fat, who is undoubtedly the action hero of Hong Kong. The action consists only of gunfights, which are very decent for their time, the opponents drop like flies, blood spurts quite decently and the ending in the church is a definite highlight. But this is not just about action it also has a nice story and some depth, so I definitely recommend it. A proper classic, the quality of which I can only confirm. 75%
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It’s a mix of fascination with sadness. Fascination with an extremely creative personality, as Gilliam undoubtedly is, a filmmaker who is always several steps ahead thanks to his imagination. Fascination with the fierce struggle against adversity, the mediocrity of a world that does not understand him and the producer's mistakes. A struggle that, given the predetermined outcome, may resemble Don Quixote's foolish confrontation with the windmills. And the sadness? This stems from the fact that rich imagination full of fantasy can go to waste with the author losing a lot of energy and time in a futile and useless struggle that cannot be won. Filmmaking is a trade, and Don Quixote is probably a cursed material that has already broken many filmmakers.
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Gallery (44)
Photo © Silverline Movie Channel
![The Killer - Photos](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/168/858/168858635_werqiu.jpg)
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