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Ripley (Sigourney Weaver), the sole survivor from the original ALIEN, is awakened after 57 years of drifting through space, her stories disbelieved by Company executives who tell her that the alien's planet is now inhabited and colonized. When contact is suddenly lost with the colonists, Ripley returns to the planet with a squad of marines, an android (Lance Henriksen), and a Company executive (Paul Reiser) with a mission of his own. Once on the planet, no survivors can be found except for Newt, a little girl who awakens motherly instincts in Ripley just in time for the acid-blooded aliens to attack in what quickly becomes a one-sided battle for sheer survival. (official distributor synopsis)

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Reviews (13)

Stanislaus 

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English James Cameron is a master with a capital M, and when he took over the director's chair from Ridley Scott, he certainly didn't do the first Alien a disservice. Cameron doesn’t skimp, in fact, that word may not even be in his vocabulary, and delivers a perfect and technically proficient sequel about alien monsters. Of the cast, Bill Paxton honestly bothered me a lot, but otherwise I have no other complaints. The music is pretty unremarkable, but the sound effects are very good. Just looking at the spaceship or the model of the alien queen made me stare and wonder if the movie was really a quarter century old. All in all, a very good sequel with a lot more monsters, action and technical gadgets. ()

Lima 

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English Cameron took it radically in his own way and plays on a rather belligerent string. Compared to the first film, there’s less atmosphere and mystery, but the suspense hasn't disappeared and James shows his immense talent and sense of perfectionism in his second big film (not counting Piranha...ahem.). ()

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Kaka 

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English Hands down the best installment of this famous franchise. James Cameron confirms his incredible talent and visual sensibility here and imprints the film with his unique directorial style. The action is fantastic, raw and “realistic”. Similarly, the characters are unusually dense and well-developed for this type of sci-fi. The Marine commando is one cool gang, dropping one-liners faster than the bullets from their machine guns. Finally, we get to see the feared monster in all its beauty and power, and it's no longer just “a guy in a costume”. Sigourney Weaver is even more likeable, and her transformation from a timid advisor to a seasoned warrior is brilliant. The minimalist soundtrack and the android Bishop have become legendary. Together with Blade Runner, clearly the best sci-fi films of the 1980s. ()

Isherwood 

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English James Cameron is a very wise and clever man. The way he was able to gracefully bridge Scott's horror film (the 57-year time gap, the nightmares, the colonization of the planet) to his own vision of an alien encounter is admirable. It’s an impressive action ride that is unrivaled across all weight categories. It’s built on ingenious editing, (now legendary) sound, and of course, a bunch of marines who, apart from an amazing arsenal, also spew a bunch of catchphrases that should be carved into the most expensive marble. This simply fascinates me even after more than twenty years. To this day I still wonder how something like this film could have ever been made... for me, this is James Cameron's best film and think what you will about it, but that's about all you can do. ()

novoten 

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English Skipping the seemingly unattainably high bar was an impossible task, but James Cameron did what he could. Ripley still works and even Newt, Hicks, or Bishop quickly grew close to my heart. However, I only started to like Aliens after the extended version, which truly gives the right charge to the psychological background of the first half. Its contribution to the additional success with the audience also lies in the timeless action and breathtaking moments full of elegantly deadly villains. ()

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