Directed by:
John CarpenterCinematography:
Dean CundeyCast:
Kurt Russell, Lee Van Cleef, Ernest Borgnine, Donald Pleasence, Isaac Hayes, Season Hubley, Tom Atkins, Charles Cyphers, Harry Dean Stanton, Adrienne Barbeau (more)VOD (2)
Plots(1)
In a world ravaged by crime, the entire island of Manhattan has been converted to a walled prison where brutal prisoners roam. But when the U.S. President (Donald Pleasence) crash-lands inside, only one man can bring him back: notorious outlaw and former Special Forces war hero Snake Plissken (Kurt Russell). But time is short: in 24 hours, an explosive device implanted in his neck will end Snake's mission and his life unless he succeeds! (AVCO Embassy Pictures)
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Reviews (10)
A typical, distinctive Carpenter film, as only he can do it. The low budget and the associated minimalism are enough to play a solid B-movie etude about one tough guy who stood up to everyone and fucked them all up... Kurt Russell is a man par excellence, who needs little to satisfy similarly-minded fans - the pissed-off face, synth music, and an hour and a half-long sequence of tense scenes that can be described in several pages of genre textbooks today. 4 ½.
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Carpenter’s precise B-movie hit demands that you not think about the wider context of the story and instead adapt to the requirements of low-brow entertainment, but the director will pay you back with interest. Kurt Russell is great and is accompanied by a host of top-acting talent and, despite the occasional silliness, this is pure filmmaking that, even within its premise, can be taken pretty seriously. The uncontrolled “trash” fun will come with the sequel. 75%
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I like John Carpenter, but I've found that I haven't seen some quite significant films he directed - and there are quite a few of them. Yes, this was one of them. I was expecting it to be a bit crazier, but I definitely wasn't disappointed. There are excellent characters here, but above all, the environment is beautifully brutal. Man evolves long enough to eventually become this. Well, we couldn't be surprised, even though the year 1997 is successfully behind us.
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Carpenter’s famous cult movie didn’t work on me. The atmosphere is fine, Russell is tough as nails, but the very premise of Manhattan as a prison (that was set up god knows why) is very silly. I know looking for logic in films of this kind is nonsense, but in Escape from New York all those inconsistencies were way too evident.
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The president’s plane crashes in Manhattan, which is a giant self-governing prison, and the biggest tough mudafucka with an eye patch has 24 hours to get him out of there like FTW. If I'd known this movie when I was a kid, I wouldn't have made it out of third grade. And I'd probably starve to death in front of the video. The ideal cure for a creative crisis, I think, would be just listening to kids play on a road carpet.
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