The Lover

  • France L'Amant
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Jane March is mesmerizing in the role of a poor French teenager who engages in an illicit affair with a wealthy Chinese heir (Tony Leung) in 1920s Saigon. For the first time in her young life she has control, and she wields it deftly over her besotted lover throughout a series of clandestine meetings and torrid encounters. But though the lovers are able to transcend their differences in age, race and class'theirs is a future that French colonial Vietnamese society will never allow. (official distributor synopsis)

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kaylin 

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English If it were just a tad more daring and visible, it would be even better. If it had been stronger towards the end and the viewer didn't feel like it was already starting to fizzle out by then. Then I would say The Lover is a great film, but as it is, it ended up falling slightly short of greatness. Still, I think Annaud had a very good theme and he handled it well. ()

novoten 

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English A captivating story with Lolita-esque themes, which unfortunately reeks of cheapness at the most critical moments. My idea of a good love scene is definitely not a couple touching each other for the first time in bed as a voice narrates something that could mistaken for the transcript of a porno film. After the most intimate encounter, the rest of the film can be summed up with the motto "when sex gets out of hand," and it doesn't have the same power as the plot that came before. Many side storylines are left unresolved, including the ending itself, making it a disappointing average. ()

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