Directed by:
Michael BayCinematography:
Mauro FioreComposer:
Steve JablonskyCast:
Ewan McGregor, Scarlett Johansson, Djimon Hounsou, Sean Bean, Steve Buscemi, Michael Clarke Duncan, Ethan Phillips, Brian Stepanek, Siobhan Flynn (more)VOD (2)
Plots(1)
Lincoln six-echo is a resident of a seemingly utopian but contained facility in the mid-21st century. Lincoln soon discovers that his existence is a lie. He makes a daring escape with fellow resident Jordan two-delta & they engage in a race for their lives. (official distributor synopsis)
Videos (2)
Reviews (9)
Bay’s attempt at making a different type of movie than he usually does stopped somewhere half-way along the route. In the end, the initially intriguingly developing screenplay proves to be the weakest aspect of this movie. Despite the fact that something is always going on in this picture and despite the frantic editing, paradoxically this seems to lack pace. But even so, thanks to an excellent McGregor and the precise technical aspects, this is an above-average picture which is definitely more endearing than Bay’s previous movies, but unfortunately it isn’t one of his best.
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In terms of content (screenwriting), The Island is Michael Bay’s most riveting film yet. It’s serious subject matter (with several depressing scenes) is skilfully made into a brisk Hollywood blockbuster that fulfils all of the required parameters. The central duo of actors was a bad commercial (producer) decision, but it was a perfect dramaturgical (directorial) move. Their characters needed the greatest possible realism and they played the biggest character roles as they were being familiarised with the “new world”. My favourite passage of the film is the encounter with the children at the station... Ewan McGregor and Scarlett Johansson did not disappoint. The action scenes are peak Bay; the one with the “wasp” and its flight over a skyscraper is a real eye-candy highlight. The visual and musical concepts are kitschier than in Minority Report, for example, but still maintain a certain dignity, are believable and manage to captivate the viewer. And composer Steve Jablonsky steps out from under his own shadow. There are a few holes in the logic and the film has two endings, but it never becomes boring. I was glad it wasn’t ending yet and I could be kept in suspense for a while longer… This is the first Michael Bay movie that interested and entertained me with more than just nice visuals. The Island is a more interesting and daring sci-fi popcorn flick than last year's I, Robot.
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I don't like Michael Bay, and after seeing The Island, not much has changed. I've always liked the Bad Boys films, but that's about it. The Island has an interesting idea and that's where it ends. Bay attempted to film something that could be called utopian sci-fi, where the primary focus would be on a socially critical dimension. It mainly works on the action level because that's what Bay enjoys. You can tell. The rest is just a big bubble to stretch the film to over two hours. A good idea chopped up into unbearable long boredom.
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For me, Michael Bay's best film, which is just short of perfection. It's a great blend of sci-fi, drama and action, all spiced up with a touch of romance. It's all accompanied by an incredible soundtrack, composed by the until recently unknown to me Steve Jablonsky. The plot was absolutely meticulously thought out and I didn't get lost at all. The visual effects were carefully done and convincing. In short, this a very good film with an original and unorthodox theme, it could have benefited from a shorter running time, but even that was bearable.
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A weaker 4 stars. Definitely not because Bay made a swashbuckling actioner out of stuff someone else would have made Blade Runner out of -). More because I kind of got lost in it at times, and if the camera had stayed still for a moment I wouldn't have minded at all. Otherwise, probably the most logical lapses I've seen recently.
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