Directed by:
Jon FavreauCinematography:
Matthew LibatiqueComposer:
Ramin DjawadiCast:
Robert Downey Jr., Terrence Howard, Jeff Bridges, Gwyneth Paltrow, Leslie Bibb, Shaun Toub, Faran Tahir, Clark Gregg, Bill Smitrovich, Paul Bettany (more)VOD (3)
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When jet-setting genius-industrialist Tony Stark is captured in enemy territory, he builds a high-tech suit of armor to escape. Now, he's on a mission to save the world as a hero who's built, not born, to be unlike any other. (Paramount Pictures)
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Reviews (14)
A film for boys who still want to play, and still can. The villain is ruthless, the friend loyal, the secretary kind and faithful, and we all know where it's all heading. But this is exactly what I wanted and I got it served up so quickly and humorously that I hold my breath at the thought of a sequel. Besides, Robert Downey Jr. seems to have been born in a massive suit, and his lines, jeers, or subtle compliments to Pepper are exactly the kind of wisecracks everyone wishes they could come up with at some point, just a little late to the party. He's an incredible rich man who can fly and has the most beautiful girls. And I wish him all that, I don't envy him, and I am only fervently rooting for him.
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Robert Downey Jr. is a dude. Robert Downey Jr. is Tony Stark. I couldn’t imagine anybody else in this role. His charisma and wisecracks give the picture style and, without him, Iron Man would be half-assed and definitely a lot less entertaining. Favreau takes the entire movie in the right direction (no wonder, because it was him who got Downey involved in the project), not so serious, slightly fateful and also true to the comic book. The action scenes from ILM also worked really well, even though the battle sequence was Stark’s escape from captivity, which involved a minimum of special effects. Personally, for me Iron Man has greater magic than my former favorite Spider-Man, and that’s saying something. P.S.: The post-credits scene with the allusion to the Avengers is magical.
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A fun popcorn fairy tale, totally comparable to Green Lantern in my view. No, I don't feel that Iron Man is significantly better. The whole thing stands and falls on the stardom of Robert, who almost killed Ally McBeal with his incompetence a few years ago, but he is very popular these days. Gwyneth is cute, but she's getting on in years after all, and Jeff is already in the "saying goodbye to his audience" category. It’s a straightforward film that is more satisfying when Stan Lee's cameo arrives.
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That intro in Afghanistan, along with the snide remarks on American foreign policy today, is a little off from the rest of the film, which is deep in the waters of comic-book hyperbole thanks to its flamboyance. Yet as much as I didn't want to believe it myself, the film ultimately works beautifully without Favreau pulling off any flashy action or uncompromisingly innovative ideas. The film is built on the actors (yes, Downey could have taken a drink with him into the film) and the fast pace that races through the simple dialogue, which is a joy to listen to thanks to life’s bon mots and (once again) the actors. The standard genre archetypes of heroes are unexpectedly subverted (who is it that gives Stark his heart after all?) and it still manages to be sympathetically intrusive in the circle of a family spectacle for an evening, all whilst winking at those who have already made some films. I have a feeling that nobody will take the title of "most pleasant surprise of the year" away from Iron Man. 4 ½.
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A funny and entertaining gem that is several miles ahead of the awkward and clumsy Spiderman with its lightness and detachment. Robert Downey Jr. is incredibly sharp, his condo in Malibu beach is flawless, just like the black Rolls & Royce tearing up the roads. All of this wrapped in a dynamic action suit with the label “500 charges”. Unlike Spider-Man, Hulk or Hellboy, this guy will dig deep under your skin and make you want to see him in action again and again. He's not a good guy, not a classic do-gooder, and he indulges himself in luxury to the fullest. And that's exactly why he can afford to be so confident and smoothly move forward where most competitors play the good souls and saviors of humanity, while the whole usually grinds. The most entertaining and adult comic-book film of the past few years. Understandably made 300 million in the USA. Technically flawless.
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