Wanted

Wanted is like a giant shiny bubble that captures attention and acts as an amusement park attraction, but its lifespan is terribly short and it doesn't leave anything valuable behind. The impressive action scenes can't overshadow the fact that the film is intellectually shallow and doesn't create any functional fantasy world that would engulf the viewer. As a result, the stupidities like bending bullets or superkillers jumping from one skyscraper to another stand out even more. Not that the current cinema doesn't abound in such things, but here everything is subordinate to visuals and action, so in the end, it misses the mark for me. Overall impression: 15%. It's exactly the kind of action movie that completely bypasses me and actually bothers me in practice because a huge amount of energy and financial resources could be used more meaningfully in the film industry... (03/25/2011)

For a director who is an old Russian, Wanted is a typically American action film. This whole motif about an ancient clan of bullet-bending assassins is good stuff to handle in itself, but only if the viewer somehow turns off logic, accepts the rules, and doesn't mind jumping out of windows like in The Matrix or endless regenerative baths in wax after the characters cut each other to shreds. Another good thing is the leading duo of James McAvoy and Angelina Jolie, who bring a classic American style to the film, and when I look at the result as a whole, I come away with a decent unpretentious action entertainer that you simply switch off and watch. Average three stars - nothing to dazzle, but at the same time nothing to bore. (05/05/2023)

I was expecting a bigger action bomb, everything was is too free and cool for it to captivate me. This is not another Matrix, this loaded and spectacular ride is basically a banal simple story about an outsider who gets beaten up, goes through a tough training, where the ending can be easily guessed. The action scenes are not as excellent as I expected and the slow-motion effects are not as effective as I expected. However, the whole thing looks daring, unconventional, and above all, it doesn't take itself too seriously, so I'm able to accept the bending bullets, the camera gun, the digital high-speed train, and the flying Viper. I have already said that Bekmambetov has a sense and talent for action, but he should finally give it his all and forget about slow-motion and other technical nonsense that only disrupts an otherwise solid pace. (11/08/2008)

Bekmambetov picks up in Hollywood where he left off in Russia. He just lovingly wrapped the "nothing" plot in a screaming visual package, using A-list actors instead of ribbons. Morgan mentors on a flywheel (not meant in a bad way), Angelina pouts her lips seductively again after a long time, and James boldly shows his ticket to the acting elite club of his generation. I didn't catch on to the anarchy that much (I’m interested in the comics) and the comparison of forces with The Matrix also seems quite wrong to me. Still, I’m definitely giving it a thumbs up, particularly in that Len Wiseman should get one of the DVDs so he can see how to film "over the top" action without necessarily looking stupid. 4 ½. (08/09/2008)

A very pleasant surprise. Great actors, good action, not nearly as bad a script as I expected and above all a generous portion of directorial ideas. Too bad about the lower budget and thus unimaginative production design and maybe too frantically filmed fights. Anyway, an enjoyably anarchic extravaganza that pulls no punches. (06/23/2008)